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Watch the full episode. See more Irena Sendler: In the Name of Their Mothers.
"I don't like to think that I'm still walking around with the disease running through my blood. Sometimes I swear I can feel it writhing in my veins like something spoiled, like sour milk. It makes me feel dirty. It reminds me of children throwing tantrums. It reminds me of resistance, of diseased girls dragging their nails on the pavement, tearing out their hair, their mouths dripping it."
"Why had they taken things that meant nothing to them?...Everything was gone. I walked around and around my empty room, trying to make sense of it. Gone were clothes, toys, books and photographs."
"I stared at Papa, hearing his words over in my mind: if I were a spy. I didn't think for one moment that Papa was actually a spy, but the phrase awakened a sense of possibility in me."
"Most stories about war and its aftermath inevitably focus on men: the soldiers, the returning veterans, the statesmen. I wanted to know what war was like for those who had been left behind: the women who managed to keep going even as their world fell apart. War reshapes women's lives and often unexpectedly forces them - unprepared - into the role of breadwinner. Charged with their family's survival, they invent ways to provide for their children and communities."
Kabulis watched helplessly as the Taliban began reshaping the cosmopolitan capital according to their utopian vision of seventh-century Islam. Almost immediately they instituted a brutal - and effective - system of law and order. Accused thieves had one hand and one foot cut off, and their severed limbs were hung from posts on street corners as a warning to others...Then they banned everything they regarded as a distraction from the duty of worship: music, long a part of Afghan culture, and movies, television, card playing, the game of chess, and even kite flying, the popular Friday afternoon pastime....The effect on the women of Kabul and even on Afghan society itself was disastrous. Girl's schools closed and women vanished from the streets. Forty percent of civil servants and more than half of the teachers in Kabul were women. They were now unemployed. For families headed by widows the consequences were particularly devastating. Many of these women were the sole support for their families, often having lost their husbands in the many years of war. These families had lost their principal breadwinner. The loss of so many workers also affected the general day to day running of the government.
But of all the changes the Taliban brought, the most painful and demoralizing were the ones that would fundamentally transform the lives of Kamila, her sisters, and all the women in their city. The newly issued edicts commanded: Women will stay at home. Women are not permitted to work. Women must wear the chadri in public."
"Brave young women complete heroic acts every day, with no one bearing witness. This was a chance to even the ledger, to share one small story that made the difference between starvation and survival for the families whose lives it changed."
"I am a sign of war, I suppose... but not in real life. Not a home, where I belong. Do you know what I do when I am at home? I stick flowery patterns and stripes and curlices on people's bedroom and living-room walls. I am a wallpaperer. Not a soldier. Just a man. I am twenty-nine years old, and I am alone. I have been away from home since I was twenty-four."
"The trains had been used for a terrible purpose. She knew that, or at least she had heard. But on this terrible journey, she had not given it a moment's thought. Not for one second had it occurred to her that what was for her an adventure was for thousands of others a death march, that this very car might have held such passengers. Now she knew...."This knowledge makes Lena feel that she cannot develop a friendship with Albert because he too has been a part of a great evil. She experiences tremendous conflict because she is developing an attraction towards Albert. But the discovery of what the Germans are doing is too horrific to be ignored. Sofie has no such qualms regarding Uli. Lena appeals to Sofie's conscience telling her that she is not being true to how she was raised. Soon however, Lena comes to realize that Sofie has not been completely honest with her about many things and she learns that there are things she doesn't know about Sofie's family.
"To deliver up a terrified, half-starved man to shot like an animal -- how could she reconcile that with her conscience? She couldn't live with guilt like that, and she didn't want to!"
"Frau Bernaek had objected that all the good was never on one side, not all the evil on the other. Not even now. She was of the opinion that 'Next to the good in every individual, there is also evil."
"You knew it too, she thought, this problem of good and bad. If you were still alive, you could see it in your son. In Felix, whom you never knew. He's convinced that anything that benefits the German people is good. But he lets others dictate what that is....But he leaves it to others to decide for him what's good and what's bad. That's why I'm afraid of him, Father. I'm afraid of my little brother!"