Life changed drastically for Maud after her father's death in 1935 and her mother's death in 1937. Around the time of her parents deaths, Maud had a child, a baby girl who was put up for adoption.
Maud lived with her brother who inherited the family home and then moved in with an aunt in Digby, Nova Scotia. It was in Digby that she met her husband Everett Lewis, a fish peddler. Maud and Everett married in 1938. They lived in a small house in Marshalltown, Nova Scotia. Their little house which lacked basic amenities such as electricity and indoor plumbing, would be Maud's home for over thirty years. Despite their very different personalities, Maud and Everett seemed to get along very well. Everett encouraged Maud in her painting but because they were so poor, Maud used any materials she had at hand, including board, cardboard and even household items such as baking trays and dustpans. Maud's worsening rheumatoid arthritis meant she wasn't able to do housework so Everett cleaned house while Maud painted and supported them through the sale of her art.
Her colourful oil paintings, done in the primitive style often portrayed interesting details of everyday life and became increasingly popular. A simple sign that said "Paintings for Sale" drew in buyers and her reputation grew. As is often the case with artists, Maud's talent was largely unrecognized during her lifetime. That began to change in the 1960's when CBC produced a documentary on her in 1965.
Maud's health began to decline after she fell and broke her hip. Years of exposure to wood smoke and paint fumes added to her health problems. Maud died in 1970 and in 1979, Everett passed away. Their house, filled with Maud's paintings on the walls and other surfaces, began to deteriorate. Eventually the house was given to the Art Gallery of Nova Scotia in Halifax and can be viewed there.
Maud Lewis in her home. |
The inspiration for the picture book resulted from a visit by Bogart to the Art Gallery of Nova Scotia where Maud Lewis's paintings are on exhibition and where her little house permanently resides. Bogart states "I went to the Art Gallery of Nova Scotia where there is this magnificent display of Maud Lewis' work and the little house she lived in. The entire house is actually in the gallery. Well, this just made it so real. I stood at the door of that house forever, looking in, imagining Maud's life in a structure the size of one room in today's house. I had known her work and liked it, but it was a very peripheral thing because I was busy with other things. All of a sudden, it was front and centre, and I was confronted with her life and her work. I knew before I left the gallery that day that I wanted to do that book." Bogart noticed that there were no books for children on this Nova Scotia artist so she decided to remedy that.
Capturing Joy: The Story of Maud Lewis is a beautiful picture book that captures Maud's remarkable talent and tells her story in an appealing way for readers of all ages.
Book Details:
Capturing Joy: The Story of Maud Lewis by Jo Ellen Bogart
Toronto: Tundra Books 2002
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