Tuesday, January 31, 2012

Movie Reveiw: Hachi

Hachi is a wonderful, poignant family movie about a lost dog and the man who finds him. Parker Wilson, known as Professor, finds a lost Akita puppy one day on his way home from work. The puppy has a tag with Japanese characters on it and when Parker is unable to locate his owner, he asks a close Japanese friend what the characters mean. He is told that the dog's name is Hachiko. Parker and his family decide to keep Hachi and gradually a strong bond is formed between man and dog.

Every day Parker catches the train into the city where he works as a professor at a college. Every day, despite Parker's attempts to prevent Hachi from doing so, the dog faithfully follows him to the train station and every night he returns to wait for Parker's arrival home. Gradually the two of them develop a strong bond that touches many of the people Parker knows.


One day, Hachi doesn't seem to be himself. Repeatedly he seems demonstrate that he doesn't want Parker to take the train to work. It is to be the last time the two are together and when Parker doesn't return home, Hachi continues his daily ritual of waiting at the train station for Parker to return.

Hachi is loosely based on the true story of Professor Ueno who died at work one day and whose Akita dog waited faithfully for nine years at the train station for his master to return. Eventually, the dog died.

The real Hachiko.

Be prepared because Hachi will make you cry. A beautiful, touching story of loyalty and friendship, this movie is a must for those who love animals, especially dogs. I'm not a fan of Richard Gere but he does a fine job in this movie. I would have loved to see Mark Harmon or Bruce Greenwood as Parker.



Sunday, January 29, 2012

Catholicism. A Journey To The Heart Of The Faith by Robert Barron

Chapter 2. Happy Are We: The Teaching Of Jesus explores some of the teachings of Jesus Christ by considering the eight beatitudes presented in the Sermon on the Mount. Father Barron goes through the "more 'positive' formulations" first; essentially he considers these beatitudes as helping us achieve a right ordering of our lives with God central and foremost.

These beatitudes are "Blessed are the merciful, for they will be shown mercy.","Blessed are the clean of heart, for they will see God.", "Blessed are they who hunger and thirst for righteousness, for they will by satisfied.", and "Blessed are the peacemakers,for they will be called the children of God.".

From these "positive" beatitudes, Barron moves onto those beatitudes which help to reorient us towards God. In our fallen nature, "we sense within ourselves the hunger for God, but we attempt to satisfy it with some created good that is less than God." Those substitutes are usually one of the following four; wealth, pleasure, power and honour. We usually discover that, as we seek to fill the void created by a lack of God, with one of the above four or any combination of them, our lives become more disordered and more directed towards achieving that substitute. Barron terms them addictions that block our path to developing a closer, more meaningful relationship with God.

"Blessed are the poor in spirit, for theirs is the kingdom of heaven." is a directive towards detachment from material goods.

"Blessed are they who mourn, for they will be comforted." is a summons to avoid the "addiction to good feelings". These feelings can be anything pleasurable in the realm of physical,emotional or psychological.

"Blessed are the meek, for they will inherit the land." is a warning against seeking power in life as a substitute for God. The desire for power is probably the strongest and most irresistible, probably because power often brings about more of the other three.

"Blessed are they who are persecuted for the sake of righteousness, for theirs is the kingdom of heaven." exhorts us to shun the love of honour.

Barron goes on to further explore Jesus' exhortation to love one's enemies. Jesus' directive, "But I say to you, offer no resistence to one who is evil. When someone strikes you on (your) right cheek, turn the other one to him as well.', is not an instruction to acquiesce to evil, or to do nothing. Instead, he challenges his followers to try a different approach - that of standing our ground and showing the aggressor the injustice of his actions. The intent is possibly to reform that aggressor.

Father Barron concludes this chapter with an excellent discussion of the parable of the prodigal son and the parable of the sheep and the goats contained in chapter 25 of Matthew's Gospel.  I will leave the reader to discover these gems on their own.

Wednesday, January 25, 2012

The Traitor's Smile by Patricia Elliott

The Traitor's Smile set in revolutionary France is the sequel to Elliott's Pale Assassin. Eugenie De Boncoeur, a young aristocrat from France, has newly arrived in Deal, England, along with Julien de Fortin, a friend of Eugenie's brother, Armand. They are finally safe from the French Revolution which has claimed most of France's aristocrats. But Eugenie's brother, Arman De Boncoeur is languishing in La Grande Force, once a beautiful palace of the Marais, lately a prison for men.
Eugenie has escaped to Deal to stay with her English uncle, Thomas Coveney, who is a surgeon at the Naval Hospital in Deal, and his daughter Hetta. Hetta is an intelligent and spirited young woman who believes that the monarchy should be replaced. She often dresses as a boy so that she can go down to the harbour and help out the local smugglers. And she seems to have taken a romantic interest in Julien, much to Eugenie's dismay.

Unknown to all, Eugenie has been followed to Deal by Guy Deschamps, once a friend of Armand but who is now a spy who goes by the name of La Scapel and who is working for the sinister and cruel Raoul Goullet, known as La Fantome. Eugenie is unaware of Deschamps connections to Goullet and refuses to believe that Deschamps is the one who attacked Julien in France. However, she soon learns that Deschamps is quite willing to take her back to Paris, by force if necessary, to marry Goullet whom her guardian promised her to, years before. Guy Deschamps tells Eugenie that if she upholds her end of the contract, her brother will be set free by Goullet.

Eugenie and Hetta end up back in France, via a wayward balloon trip in a last minute escape from the clutches of Guy Deschamps. Once in France they are helped by those fighting the revolution. They eventually meet up with Julien who has returned to his country to continue fighting for peace. In pursuit, is Deschamps, who is determined to capture Eugenie and kill de Fortin, thus raising his profile with Goullet and ultimately Robespierre. Goullet's motives are more personal - he is out for revenge, the details of which the reader learns near the end of the book.

Discussion

For the most part, The Traitor's Smile was an exceptionally exciting read, even if it was a bit predictable and even a little familiar. The Traitor's Smile is reminiscent of The Scarlet Pimpernel books written by Baroness Orczy. There are some similarities between the storyline of the two books, but the Pimpernel books are by far, better written. If you haven't read them, and you love historical fiction AND romance,  the entire series by Baroness Orczy is highly recommended.

The characters are well developed even if our heroine, Eugenie, is at times frustratingly naive. Elliott's portrayal of the decay of France and the decline into anarchy is well done. Young readers will get a true sense of how a the French citizen's attempted to forge a new path for their country but inevitably lost the jewels of justice and liberty.

The story is marred by romantic sections that read like cheap paperback romances and were out of character with the quality of the writing in the rest of the book. 

Book Details:
The Traitor's Smile by Patricia Elliott
New York: Holiday House 2010
308 pp.

Sunday, January 22, 2012

It's A Girl - Documentary Film

From the official website for the documentary film, "It's A Girl!" :

In India, China and many other parts of the world today, girls are killed, aborted and abandoned simply because they are girls. The United Nations estimates as many as 200 million girls(1) are missing in the world today because of this so-called “gendercide”.

Girls who survive infancy are often subject to neglect, and many grow up to face extreme violence and even death at the hands of their own husbands or other family members.

The war against girls is rooted in centuries-old tradition and sustained by deeply ingrained cultural dynamics which, in combination with government policies, accelerate the elimination of girls.

Shot on location in India and China, It’s a Girl! explores the issue. It asks why this is happening, and why so little is being done to save girls and women.

The film tells the stories of abandoned and trafficked girls, of women who suffer extreme dowry-related violence, of brave mothers fighting to save their daughters’ lives, and of other mothers who would kill for a son. Global experts and grassroots activists put the stories in context and advocate different paths towards change, while collectively lamenting the lack of any truly effective action against this injustice.

Currently in post-production, It’s a Girl! is scheduled for a 2012 release.

Many feminist and women's groups in the Western world do not want to fight against the cultural and religious beliefs nor the policies that result in gendercide, fearing that abortion rights will be eroded. In their silence, they are complicit in this holocaust of girls. All baby girls have the right to be born. All women have the right to bear their children, including their baby girls.

Please share this documentary trailer.




Visit It's a Girl! The Three Deadliest Words In The World.



Other organizations working to save women and their girl babies include: Women's Rights Without Frontiers.

Also check out Elzabeth Vargas' video below:

video platformvideo managementvideo solutionsvideo player

Tuesday, January 17, 2012

Dangerous Neighbors by Beth Kephart

Seventeen-year-old Katherine whose twin sister Anna died this past February 6th is not coping well. It is now summer, and Katherine is distraught and has feelings of guilt and anger, especially towards her father and mother who appear outwardly at least, to "have gone on living". Katherine cannot forgive them for this.

Katherine's parents seem remarkably disengaged. Upper class 19th century Philadelphians, her father works at the Philadelphia National Bank while her mother is preoccupied with teas and women's rights. Katherine wants to tell her mother what happened so that she can receive her mother's forgiveness and in turn forgive herself. But her mother simply insists that the past remain in the past and that they look to the future. But the future is what Katherine is determined not to face.

So, Katherine plans to take her own life. She has been visiting the highest places in Philadelphia. The novel opens with her having decided that place to "fly away" will be the Colosseum. But when she climbs out onto the roof, she is discovered by Bennett, her sister's lover. Bennett has been shadowing Katherine for months because he knows her pain and knows what she wants to do.

Although Katherine doesn't act on her intentions throughout the rest of the summer, she hasn't forgotten what she wants. As she plans her next attempt the events of the previous year in the life of Anna and Katherine are told. Anna is the older twin, more inquisitive, and the one who seems to indulge in risky behaviour. And Katherine is the one who always rescues her. "Still, as they got older, Katherine put herself on guard, made herself responsible for interrupting Anna's drift toward the perilous, for fixing the fences and defining the borders, the edges, the ends. Anna listened to Katherine when it was important, because Katherine's talent had never been beauty; it was saving, rescue."

But things changed last April when Anna became involved with Bennett, the baker's boy and a very unsuitable match for a girl from a family with a high social standing such as Anna and Katherine's. Bennett is, as their father describes people from the lower classes, a "dangerous neighbor". Anna's father had hoped to marry her to Alan Carver but Anna quickly rebeled. Instead, she bullies and manipulates Katherine into helping her arrange clandestine meetings with Bennett - something Katherine deeply resents.She feels betrayed by the loss of her close relationship with her twin.

When Katherine rebels at her sister's dishonesty with their parents, Anna simply ignores her and acts as though she doesn't need her. Anna tries to tell Katherine that she is judging Bennett because of his social status. "Look into his eyes sometime. Try and see him." she tells Katherine. Anna seems oblivious to the effect her behaviour is having on her sister. Even when they travel to Cape May for holidays and Katherine makes Anna promise not to lie anymore and to tell their father, Anna breaks this promise too. She has no intention of doing this and continues to manipulate Katherine, causing them to drift further apart. 

Finally, Katherine decides that she can no longer save Anna. She decides to accept Anna as she is and in doing this, she feels she is responsible for her death. "That night Katherine gave up trying to talk sense into Anna. That night she did not try to argue her twin sister out of her gargantuan joy; she did not try to save her. It was then that Katherine decided to begin to look the other way on purpose, but this time without anger, without the intent to prove a point. She decided to stop protecting Anna, so that she might love her more truly."

Until one day, Anna arranges for the two of them to go skating and meet up with Bennett - again without their father's knowledge. Events on that fateful day in February unfold in such a way that Katherine is not able to rescue Anna. She blames herself.

All of this is revealed on the day Katherine decides to climb to the top of the tallest building on the grounds of the Philadelphia Centennial Fair. Once again she meets Bennett and this time they have the conversation they both need. Although Bennett reminds Katherine of the terrible tragedy, when Katherine really does look at him and listen to him, he helps her deal with her loss by realistically focusing on what happened and that no one could have saved Anna. This creates a crisis of identity for Katherine at this moment because Katherine's identity is completely tied up with being Anna's caretaker. "For if Katherine isn't needed for anything, if she is no longer responsible for Anna, who is she now? What can she give?"  Can Katherine forgive herself, and move forward forging a new life for herself?

Discussion

I actually thought there would be more about the Centennial Exhibition in this novel but it really plays a part only at the end. 
But meeting Bennett and coming to the Centennial Exhibition turns out to be the salvation of Katherine when she saves a baby and forms several new friendships; with a young man, William,  who saves animals and a woman whose baby she cares for. In the end, there is hope and new possibilities for Katherine.

Kephart ably describes the fair and gives modern readers a sense of the setting with the modern up-to-date novelties on display at the fair across the street from Shantytown with its prostitutes and hucksters and the squalor of its wooden shacks. "The wonders of the world slide past. Parisian corsets cavorting on their pedestals. Vases on lacquered shelves. Folding beds. Walls of cutlery. The sweetest assortment of sugar-coated pills, all set to sail on a yacht.....   At the intersection of the main aisle and the central transept is a palace of jewels: Tiffany, Starr & Marcus, Caldwell. ...See these cinnamon colored cameos; this diamond necklace; these perfect solitaires; these black, white, and pink pearls...."


Dangerous Neighbors doesn't get bogged down in Katherine's guilt, mainly because it's too short to do that and because the narrative flips from present to past, gradually revealing the relationship between the two sisters. It is emotional and we feel Katherine's brokenness and despair over the loss of her twin and the fact that her parents seem unaware of her emotional state. Dangerous Neighbors has at it's core themes of loss, guilt, and redemption as well as a the typical themes of teen suicide and identity. Brilliantly done and a great short read for teens looking for something different.

Book Details:
Dangerous Neighbors by Beth Kephart
New York: Laura Geringer Books, Egmont USA 2010
176 pp.

Monday, January 16, 2012

Crossed by Ally Condie

As in Matched, Crossed continues the saga of Ky and Cassia, this time told through both of their voices. From the first novel it was revealed that Ky, as an Aberration, has been sent out to the Outer Provinces supposedly for six months. But in Crossed it is revealed that he is a decoy villager. He along with other Aberrations are placed in specific areas in an attempt to make the Enemy believe that the Society still occupies these areas. They are given a warm coat, but only enough water and provisions to keep them alive until the Enemy kills them. The Society promises the Aberrations that after a six month tour of duty, they will be given "Citizen" status. However, no one has ever survived long enough to achieve this.

But for Ky, the Outer Provinces are his home. And he doesn't plan on sticking around to die. One night Ky along with Vick Roberts and a young boy name Eli escape into the Carving - a large series of canyons, during an Enemy attack. Ky's intent is to make it back into the Society to meet up with Cassia. But what he doesn't know is that Cassia is on her way to try to meet up with him.

Meanwhile, Cassia is on her work assignment at a camp in Tana Province. Her parents requested the work assignments as a way to let her attempt to locate Ky, but she's not been able to get near to the Outer Provinces, which is where Ky has been sent. She also learns about a movement called the Rising, and their leader named the Pilot who will lead a rebellion to confront the Society. After this next assignment, Cassia's final work position will be in one of the sorting centers in Central, the largest city in the Society. Cassia comes to the realization that she may have to escape and travel on her own to the Outer Provinces to find Ky.

Xander came to see Cassia before she left on her assignment and gave her several dozen of the blue tablets which Cassia believes will help her survive out in the wilds of the Outer Provinces. Cassia is careful to keep them safe and hidden. When she is getting ready for her last assignment before leaving for Central, Xander mysteriously shows up at the camp. He is passing through Tana on his way to Camas Province adjacent to the Outer Provinces. She meets with him and still feels an attraction for her old childhood friend. But she is determined to find Ky, despite having strong feelings for Xander. Although Xander appears to help Cassia get what she needs, there is something about him we don't know.

Eventually Cassia escapes her work detail by sneaking onto a transport to the Outer Provinces. She is accompanied by a girl she doesn't know named Indie. When Cassia and Indie are dropped off at their location, they meet a boy who knew Ky and saw him escape into the Carving. This boy shows them the way into the Carving and they go their separate ways, but not after Cassia offers him a few blue tablets. Cassia and Indie meet up with Ky and Eli on the other side of the Carving. However, Cassia is not well and Ky, Indie and Eli discover that she has taken one of the blue tablets believing that they will help her survive. They tell her, to her disbelief, that she is poisoning herself.

The canyons in the Carving are full of surprises. Ky has discovered the township - a village of farmers that has been recently abandoned. In caves far above the canyon walls he and Vick also find caves filled with artifacts - books, pamphlets and maps from the time before when people were allowed to create.  Ky and Cassia, as well as Indie and Eli decide to return to the township for food, supplies, and the artifacts. At this time they meet a lone farmer, named Hunter who shows them a hidden cave containing something completely unanticipated. The significance of this discovery is not readily apparent, even by the end of this second novel. They also locate a map showing them where The Rising is based.

As a result of all of this new information, everyone's plans change. Cassia and Ky make discoveries about each other that both fill in gaps but also lead to new questions. Cassia whose sole intent was to find Ky now wants to join the Rising. Ky doesn't want this for himself or for Cassia. Indie also wants to find the Rising. Hunter wants to find the farmers who fled the township to safety. The novel ends with Cassia, Indie and Ky traveling downriver to the Rising.
 
Discussion

Matched and Crossed both explore several themes; government control, identity, life ethics, and the control of information. How much government control should there be? In the Society, the government controls every aspect of life, including what and how much food is consumed. The government also assigns each person an occupation, and a person to marry.  This is no choice in love and relationships and social responsibility is coerced.

The issue of life ethics is a dominant theme in both novels which is not surprising given that they are dystopias. The elderly are euthanized at age eighty, political prisoners are murdered covertly, drugs are used to manipulate the general population and there is the deliberate poisoning of rivers to prevent rebellion. In addition to this, Cassia and Ky are part of an elaborate experiment that was undertaken without their consent or knowledge.

The Society also completely controls the flow of information to its people. All historical artifacts are destroyed leading to a black market trade in artifacts. In an attempt to obliterate the practice, there are random raids in neighbourhoods to locate and destroy artifacts. The general population doesn't know how to write and therefore cannot create or express. Any paper produced degrades quickly. Thus, no history is created for future generations.

Condie does an excellent job of maintaining suspense throughout Crossed. As the novel progresses there are plenty of mysteries. Did Xander know the truth about the blue pills? Is Xander working for the Society and is the Society still manipulating what is happening to Cassia and Ky in some way? 

Crossed wasn't as thrilling as Matched, but it is still a very good book. Cassia is beginning to make decisions about what she wants in life - breaking out of the bubble that the Society creates for all its citizens. At times the novel's pacing is slow, especially as Ky and Cassia journey through the canyons. Overall though, the mystery of the Rising and the actions of the Society in the Outer Provinces as well as the conflict between Ky, Cassia and Xander make for an excellent read.

Book Details:
Crossed by Ally Condie
New York: Dutton Books 2011
367 pp.

Saturday, January 14, 2012

Catholicism by Father Robert Barron

The book Catholicism and its accompanying television series of the same name, have been the talk of the Catholic world for some time now. Pre-publication reviews for Father Robert Barron's books were unlike that for any other Catholic publication in recent years. His documentary series offers viewers both Catholic and non-Catholic alike, an inside look at the Catholic faith in a way never quite presented to the world.

Barron is a visionary in the use of social media and electronic media to push forward the new evangelization that John Paul II challenged all Catholics to undertake in the new millennium. His website, WordOnFire, is the virtual home for his nonprofit Catholic ministry dedicated to "draw people into or back to the Catholic faith." Word On Fire is a beautiful, tantalizing cornucopia of Catholicism at its best and I highly recommend it. There are articles, commentary, radio and video, and Father Barron definitely continues the tradition that Mother Angelica pioneered with her television station EWTN.

In 2008 Father Barron began to film a 10 part series about the Catholic faith, utilizing his travels throughout the world. The trailer for the series which ran on PBS in 2011 is below.



I'm reading the accompanying book, Catholicism. A Journey To The Heart Of The Faith. The timing of this book couldn't be better, with Catholics and the Catholic faith itself under intense pressure by many different segments of society today.

I'll be reviewing this book over the next two weeks.

There are ten chapters in the book; the first titled "Amazed and Afraid: The Revelation of God Become Man.
This chapter's focus is on God become man: Jesus, and his mission on Earth. Father Barron explores the Jesus' mission in the context of the expectations of the nation of Israel. Jesus' purpose or mission what four-fold:
"He would gather the scattered tribes of Israel; he would cleanse the Temple of Jerusalem; he would definitively deal with the enemies of the nation; and, finally, he would reign as Lord of heaven and earth....that through these actions Yahweh would purify Israel and through the purified Israel bring salvation to all."

Gather the scattered tribes of Israel.
Father Barron then commences to demonstrate just how Jesus fulfilled each of these purposes. He begins by discussing the uniqueness and even peculiarity of Jesus who unlike other "prophets" asked the daring question, "Who do people say that I am?". His intent was to draw people to himself, unlike others before him who focused on words and actions. Only God, or the God-Man would do this; in effect showing us what it means to be a Christian disciple. When we understand who Jesus is, we can begin to comprehend why he behaved as recorded in the Gospels. Jesus went against the social conventions of his time to establish the importance of forming the Kingdom of God here on Earth. This was to transcend duty, family, religious ritual - in short, everything.

Cleanse the temple.
Father Barron demonstrates how God chose a people - the descendants of Abraham to form a "priestly nation" to model the Kingdom of God.
"The people Israel were shaped primarily according to the laws of right worship and derivately by the laws of right behavior so that they could model to the nations how to praise and how to act."
However,time and again as Israel failed in its mission to bring God to other nations, and as its faith was corrupted, so was its worship.
The temple was a symbol of the Garden of Eden (when man was in union with God) and represented Israel's mission to evangelize or as Barron states, to "Eden-ize" the pagan world. With Jesus on earth, he redefined the temple - as himself.
"If Jesus is, in his own person, the true Temple, then he should be the definitive source of teaching, healing, and forgiveness, and this is just what the Gospels tell us."
Jesus' actions of cleansing the Temple and his response that "in three days I will raise it up" when confronted by the Pharisees suggest that he was "telling the people that the entire purpose of the earlier temple would be transfigured in him, transposed, as it were, into a new key." There is also a wonderful exposition of how there is no way to explain the development of Christianity as a messianic movement without the resurrection. All the apostles, save one, died in their efforts to evangelize the world. They did not die for a "good man" who "symbolized the presence of God" but for a man who was both man and God.

Definitively deal with the nation's enemies.
The ancient nation of Israel had many enemies and had been overpowered and sugjugated by numerous nations throughout its history. The Jewish people therefore,had a strong expectation that the Messiah would be a military conqueror. As did C.S. Lewis, Father Barron suggests that the baby Jesus was born in a quiet, backward town to very humble parents so as to "slip in behind enemy lines". And as the Gospels indicate, the military leaders took seriously the prediction of a great kind out of the Jewish nation, to the point that they slaughtered all the children 2 years of age and under.

Reign as King of heaven and earth
Barron demonstrates that the circumstances of Jesus birth redefined the nature of "kingship" from one of power and self-interest, to that of love, sacrifice and "the willingness to be bound for another." He contrasts "two very different personifications of power" by describing Augustus Caesar and Jesus Christ.

This first chapter was rich with wonderful insights into the life of Jesus Christ and sets the stage for the next chapter which discusses the teachings of Jesus. For although the "Christian faith centers on who Jesus is", his teachings have transformed the world and continue to do so.

Thursday, January 12, 2012

War Horse by Michael Morpurgo

War Horse tells the story of Joey, a red bay, in the voice of the now famous horse. 

Joey's earliest memories are that of hilly fields and dark, damp stables but he well remembers the day of the horse sale.  That day Joey was separated forever from his mother in the auction ring when he was not yet six months old. As an old Irish draft horse, Joey's mother was quickly sold but Joey proved more difficult to sell. Finally he was sold, for three guineas to a farmer. Never having been separated from his mother nor touched by a man, Joey panicked and attempted to bolt. But he was quickly subdued and tethered behind a farm cart with a short rope and followed it to his new home. 

In the stable of his new home, Joey watches as the old mare that had pulled the cart is viciously struck by their owner. Joey was given no water nor feed but eventually two people came to the barn: a young boy named Albert and his mother. Albert is certain this new horse will be wonderful. He noticed Joey's red colour and the white cross on his nose. Albert wants to rub Joey down as he was thoroughly wet, but his mother tells him to leave the horse alone as his father requested. Albert is puzzled as to why his father, who was drunk at the auction, bought a horse when they needed a calf. Albert's mother explained that his father had fights over fencing with Farmer Easton, and wanted to win the bidding war with him over this horse. Albert tended to Joey, gently rubbing him and talking softly, telling him what they would do together. He brought Joey water and fresh, sweet hay and gave him the name of Joey because it rhymes with Zoey and he promised to care for Joey.

For two years, Joey and Albert grew together. Albert trains Joey walking and trotting him and teaching him to come at his whistle. The old mare, Zoey, who was also a working horse, helps Joey adapt to his new life on the Narracott farm. Gradually, Joey came to trust and love Albert and his gentle manner. But Joey never trusts Albert's father and never allows him to come too close. One day, Albert's father attempts to whip Joey who was so terrified he kicked the farmer in the leg.  Albert's father gave his son an ultimatum: "...if that animal is not plowing straight as an arrow inside a week, he'll be sold, and that's a promise."  Albert agreed to train Joey but told his father he must promise to never raise a whip to his horse again. And so, alongside Zoey, Joey's training as a farm horse began. After a week, Joey had learned to plow and Albert's father was satisfied as he'd won his bet with Farmer Easton.

Months later, Albert told the two horses that there is likely to be a war. Albert, now fifteen, wants to be a soldier: he believes he would be a good soldier and that Joey would make a good war horse. And then on a hot summer evening, Albert's father returned home from the village with the news that Britain is at war with Germany. While Albert's father believed the war would be over in a few months, his mother was terrified.

Gradually, over the summer, Albert began riding Joey, taking him out to the sheep and along the roads in the parish. Albert began to do most of the horse work on the farm while his father cared for the cattle, pigs and sheep. While Albert's relationship with his father grew strained, it was even more so with his mother. Albert's mother revealed that his father had taken out a mortgage so he could buy the farm from Lord Denton. This meant eventually Albert would own his own farm. But his mother reveals that it is the worry about the mortgage that makes Albert's father drink. Albert doesn't accept this explanation but his mother explains that now at fifty years old, his father can't do as much work on the farm and is worried about the war as well.

The situation between Albert and his father grew increasingly strained. After an argument between Albert and his father, Joey is tricked into a halter and led by Zoey, taken into the village, to the green. There, Joey is sold to Captain Nicholls for his regiment. Nicholls recognizes that Joey is indeed a fine horse and eventually gives Albert's father forty pounds. It is at this point that Joey realizes he is being abandoned. 

Albert races to the green, wrapping his arms around Joey and begs Captain Nicholls to allow him to go with his horse. However, Nicholls tells Albert that he's too young and that his horse now belongs to the army. He promises to take care of Joey personally. As for Joey his training as a calvary mount begins. He dislikes the new barbed bit and even more his rider, Corporal Samuel Perkins who is an ex-jockey.  Joey recognizes that both horses and men feared this "hard, gritty little man". Joey respected Perkins but not out of love but out of fear. And although he tried many times to throw Perkins, he never succeeded because "His knees had the grip of iron..." Joey's only consolation what that Nicholls often came to speak to him, sketching the horse. Captain Nicholls tells Joey that he plans to paint a picture of Joey but that he won't be able to take it with him. So, he intends to send this picture to Albert as proof that he is taking good care of Joey. He also reveals that he hopes the war ends before Albert is old enough to sign up because "...it's going to be nasty, very nasty indeed." He admits to the horse that he's frightened and that no one seems to understand what the machine guns will do. 

When Corporal Samuel Perkins enters he tells Nicholls that Joey is a horse that has a mind of his own and that he's a farm horse that's never been properly trained. However, Nicholls tells Perkins to be gentle with Joey, that he is special to him and has to carry him "through the war and, with any luck out the other side of it," He tells Perkins that many of the soldiers believe they will win the war by simply "flashing their sabers around". Nicholls also asks Perkins to give Joey more food as he's lost some of his conditioning.  

Eventually Joey becomes resigned to his new life, although he has not forgotten Albert. During final maneuvers and his first cavalry charge in training, Joey is ridden by Captain Nicholls and beside him is Nicholl's best friend Captain Jamie Stewart on his horse, a large, black stallion named Topthorn. The two horses, Joey and Topthorn are neck and neck. The soldiers and their horses are sent by ship to the war in Europe and see the great numbers of wounded soldiers. As Joey and Topthorn march through the countryside, the two horses begin to form a bond with Topthorn often calming Joey. Eventually they locate the enemy and with swords drawn,  charge. Ahead, Joey sees the soldiers raise their guns and hears the rattle of the machine gun. After the battle which the squadron claims they won, Joey sees dead and dying horses everywhere, and Captain Nicholls is gone, having been killed in action.

Joey is given a new rider, Trooper Warren, a pink-faced young man who reminds Joey of Albert. Although he was gentle and kind to Joey, caring for any of the saddle sores or chafings that arose, he was not a good horseman. As they march to find the enemy, Joey finds that as Captain Nicholls predicted the horses are often left behind and the enemy is engaged by the soldiers with their rifles.  Trooper Warren begins to talk to Joey telling him about his life before the war as the son of the village blacksmith. 

The war is deadlocked with neither side moving and the heavy rains turning the fields to mud. Joey and Topthorn try to shelter together throughout the cold winter while they hear the pounding of artillery and the machine gun fire. Then one spring night, they move out and Joey and TopThorn find themselves in no-man's-land which is a maze of barbed wire and shell holes and mud. Joey finds himself in the middle of a great battle with shells exploding around him and Topthorn and men and horses being thrown into the air. Ahead of them is a great roll of barbed wire and Joey and Topthorn and a few other horses were the only ones to reach it. There were a few holes in the roll of wire and Joey and Topthorn made it through only to find a second roll further into the woods which the two horses manage to clear, only to find themselves surrounded by the enemy. Trooper Warren on Joey and Captain Jamie Stewart on Topthorn surrender to the Germans. Behind there are the dead and dying, and absolute carnage.

As prisoners of war, Joey and Topthorn are separated from Stewart and Warren and led away to a German hospital.  Behine the German lines, Joey and Topthorn are considered war heroes by the German soldiers. "These two horses came through helfire to get here -- they were the only two to make it. It was not their fault they were sent on a fool's errand. They are not circus animals, they are heroes -- do you understand, heroes..."

It is Herr Hauptman who says this but he is told by the doctor that these two horses must be used for the ambulance transport. Hauptmann is upset at this request which he considers sacriligeous as these are "fine British cavalry horses" but eventually agrees. So Joey and Topthorn are hitched to an old hay cart, a situation that alarms Topthorn. They spend the rest of the day transporting the wounded from the frontlines to the field hospital along "roads and tracks filled with shell holes and littered with the corpses of mules and men. The artillery barrage from both sides was continuous. It roared overhead all day..." 

After that first day with the Germans, Joey and Topthorn are visited by a young girl, twelve-year-old Emilie and her elderly grandfather. The field hospital is located near their farm. It is they who care for Joey and Topthorn, groom them, water and feed them, and tend to their hurts. In the summer, they are lead to graze in the meadow by Emilie. She is there every dawn as they leave pulling the ambulance cart, and every evening when Joey and Topthorn return. Emilie becomes seriously ill with pneumonia and during her illness her grandfather tells the two horses that she has lost her parents and her seventeen-year-old brother to the war. She recovers on Christmas Day, a day that also sees the fighting pause.

Then in the spring, Joey and Topthorn learn from Emilie that the field hospital is moving further away and that they are being allowed to stay and work on the farm until they are needed again by the army. However, life on the farm did not last long. One day another set of German soldiers arrives at the farm. These soldiers are battle-hardened and harsh and their horses weary and exhausted from pulling the heavy guns. They take Joey and Topthorn with them. Conditions are harsh as Joey and Topthorn are made to pull the heavy guns, are whipped frequently, and no longer stabled at night. Food is scarce and the battles are now long and furious. Standing in freezing mud with no care, all the horses begin to weaken, even the magnificant Topthorn.

In the summer Joey and Topthorn and the other horses recover. They are assigned to the care of an old German soldier called "Crazy Old Friedrich" to pull the ammunition from the railroad to the artillery lines. The work is hard on them because the cart is often overloaded with shells. Eventually, the hard work and poor rations lead Topthorn to develop a persistent cough, and he finally collapses one day from heart failure. That same day, a shell attack kills Friedrich too. The death of his friend Topthorn and the arrival of tanks - something Joey has never seen before - so traumatizes Joey that he bolts in terror. The constant firing of guns, brilliant explosions and rumble of artillery leads Joey to run into no-man's-land where he gets caught in the barbed-wire. He injures his leg and limps further into the mud. But Joey's run has led him to a place where he will ultimately be reunited with the one human he loves the most. 

Discussion

War Horse is another wonderful short novel by British author Michael Morpurgo that explores the relationship between a horse and the humans he encounters, while portraying the horrors of the Great War from an animal's perspective. The novel is set in Britain before the war, and in Europe (likely France) during the war.

The story is narrated by Joey, a red bay with a white cross on his forehead. Joey is an intelligent horse who bonds with those humans who truly care for him. He is able to discern the humans who are cruel and harsh and acts to protect himself. The horse describes his relationships with the various humans he encounters,  and his experiences during the war first as a cavalry horse, then pulling the ambulance carts, the heavy artillery guns and the ammunition carts. Alongside him during Joey's cavalry training and his time in the war is a black stallion named Topthorn. 

World War I began with the British Expeditionary Force and other countries including Russian and Imperial German utilizing traditional methods of warfare. The main battle tactic was one used in previous wars, that of mounted infantry and cavalry charges - men riding horseback and brandishing swords - to attack and overwhelm opposing forces. However, warfare in the early 20th century had drastically changed with the invention of modern machine guns, artillery and tanks. This meant that horses and the soldiers they carried were vulnerable. While those British military outside of the cavalry units recognized this change in warfare, most senior cavalry officers continued to believe in the use of the mounted infantry. This is portrayed in Morpurgo's novel, through the character of Captain Nicholls.

While still in England, Captain Nicholls believes the war is going to be a disaster based on the new armaments that have been developed. When he's sitting sketching Joey, Nicholls tells the horse, "Back in the mess hall, they're all talking about how they'll get the Germans, how the cavalry will smash through them and throw them clear back to Berlin before Christmas....We have our doubts...None of them in there seem to have heard of machine guns and artillery. I tell you, Joey, one machine gun operated right could wipe out an entire squadron of the best cavalry in the world - German or British. I mean look what happened to the Light Brigarde at Balaclava when they took on the Russian guns...And the French learned the lesson in the Franco-Prussian War. But you can't say anything to them, Joey. If you do, they call you a defeatist..." And in fact, Nicholls is killed during his very first charge of the war, likely being shot off his horse - Joey by gun fire.

When Captain Nicholls and his troops along with their horses, including Joey and Topthorn finally arrive in France, the men are faced with the reality of war. The sight brings Captain Nicholls to tears. "The wounded were everywhere --- on stretchers, on crutches, in open ambulances and etched on every man was the look of wretched misery and pain.They tried to put a brave face on it but even the jokes and quips they shouted out as we passed were heavy with gloom and sarcasm. No sergeant major, no enemy barrage could have silenced a body of soldiers as effectively as that terible sight, for here for the first time the men saw for themselves the kind of war they were going into..."

After their first battle in which Nicholls is killed, likely by being shot off his horse, Joey remembers, "We had won, I heard it said, but horses lay dead and dying everywhere.More than a quarter of the squadron had been lost in that one action. It had all been so quick and deadlly." Despite this heavy loss Trooper Warren who is now riding Joey tells him that there are now trenches "from the sea to Switzerland" and that in the spring, "The cavalry could go where the infantry could not and were fast enough to overrun the trenches." To attack an opposing trench meant crossing into no-man's-land which is exactly what they do that spring with disastrous results. Joey relates, "...the first terrible shells fell among us and the machine guns opened up. The bedlam of battle had begun. All around me, men cried and fell to the ground, and horses reared and screamed in an agony of fear and pain. The ground erupted on either side of me, throwing horses and riders clear into the air. The shells whined and roared overhead, and every explosion seemed like an earthquake to us. But the squadron galloped on inexorably through it all toward the wire at the top of the hill..." At the end of the battle only Captain Stewart and his horse Topthorn and Trooper Warren and Joey have survived. 

The German captain is shocked himself  and echoes what Captain Nicholls had predicted only weeks before:  "What a waste...What a ghastly waste. Maybe now when they see this they'll understand that you can't send horses into wire and machine guns. Maybe now they'll think again."  Clearly the old ways of fighting a war were not working. The British would go on to lose almost five hundred thousand horses through sickness, hunger, and being worked to death.

The deadlock in the war in Europe, with both sides in trenches with a wasteland of mud, shell holes and barbed wire between them meant the use of horses wasn't required. So instead of using horses in battle, the British began to use them in other ways, some of which Joey experiences. Horses could transport men, goods, ordinance, and the wounded better through the never-ending mud than vehicles. The heavy work, the scarce food and the poor care take their toll. Although Joey is of stronger stock, it is his best horse friend, Topthorn who succumbs like many thousands of British horses. 

While Joey's war experiences are the main part of the story, it is bookended by a second story, that of his relationship with a young British boy, Albert (Berty) Narracott. Albert's father buys Joey, a colt, in a drunken bet with another farmer. Albert immediately takes to the red bay colt, naming him, caring for him and training him. Albert and Joey form a lasting bond so that when Albert's father sells Joey, Albert makes a promise to the young horse, "Wherever you are, I'll find you, Joey."  And so while Joey is a war horse Albert comes of age and joins the Veterinary Corps in the hopes that somehow, some way he will meet up with Albert. And that is exactly what happens through a remarkable bit of luck.

Reminiscent of the story of the Christmas Truce of 1914, Joey is the reason for a brief pause in the conflict. Having wandered into no-man's-land, terrified and now lame, Joey is claimed by both a German soldier and a British soldier. To decide ownership, the German suggests they flip a coin and this leads to the British soldier winning the toss. Joey is headed to a British veterinary hospital.  However, this event serves to also show, as did the Christmas Truce, how futile the conflict really was. The German soldier tells the British soldier, "We have shown them, haven't we? We have shown them that any problem can be solved between people if only they can trust each other. That is all it needs, no?"

And so because of this chance event, Joey is reunited with Albert. But the story doesn't end there and it almost doesn't end with Joey and Albert permanently reunited. Master storyteller, Michael Morpurgo adds a few more twists the least of which is the kindness of an old man who has lost everything in the war offers hope in a world destroyed by war.

War Horse is a wonderful short novel, that evokes so many emotions: the horror and futility of war, the pain of loss, the joy of a deep bond between a boy and his horse, and the happiness of reunion. It is the mark of a good writer that a reader can experience so much from a story so well told.

Farm Boy, the sequel to War Horse is due to be published in March 2012. In this follow up, Albert's son is now an old man who reminisces about his war-hero father, life on the farm and their horses, Joey and Zoey.

Book Details:
War Horse by Michael Morpurgo
New York: Scholastic Press   2007 (1982)
165 pp.

Sunday, January 8, 2012

A Faraway Island by Annika Thor

Twelve-year-old Stephanie (Stephie) Steiner and her seven-year-old sister Eleonore (Nellie) arrive in Goteberg, Sweden by train. They are part of a group of refugee children from Vienna, Austria. A lady escorts Stephie and Nellie along with the other children to a large waiting area where a lady from the local relief committee welcomes them. Each child's name is called and an adult comes forward to claim them. But Stephie and Nellie are taken by taxi to the harbor where a boat takes them to an island. 

There they are met at the dock by a woman who tells them her name is Alma Lindberg or Auntie Alma. Aunt Alma's home is "...a yellow wooden house with a glass-enclosed veranda."  She has two children, Elsa and John. Inside, Stephie and Nellie meet a stern-looking woman, Aunt Marta. Neither Stephie nor Nellie speak Swedish but they manage to learn a few words to understand what is happening.

After some milk and buns, Stephie leaves with Aunt Marta, causing Nellie to be very upset as their mother had promised they would stay together. Stephie rides on Aunt Marta's bike, far along the island road to "...an isolated house, pressed up close to a stony cliff..." with a red boathouse by the water's edge. To Stephie, the house feels like it is at the "...end of the world." Stephie's room is small with a sloping ceiling and a small window. She has a bed, dresser and table but no books or art except for a picture of Jesus. Not long after Stephie settles in, Uncle Evert arrives. Stephie immediately feels a connection to him as they try to talk in a mixture of German and Swedish. 

Stephie and Nellie, along with Aunt Alma and her children spend their summer days at the beach swimming. Stephie doesn't swim however because she only has an old black woolen swimsuit that Aunt Marta has given her. When Aunt Alma's husband, Uncle Evert returns, Stephie learns that he is a fisherman who has a boat named Diana. Aunt Alma's husband,Sigurd is a member of the crew along with a boy named Per-Erik and four others.

Stephie continues to write letters to her parents describing a pleasant life in Sweden so her parents won't worry. Meanwhile she and Nellie wait and hope their parents can leave Austria. However, with the start of World War II, Austria is now at war as it is part of the German Reich. One day Vera Hedberg, a girl with red hair, shows Stephie and Nellie where to pick blackberries. This ends in a disaster for Stephie who stains and tears her skirt and is punished by Aunt Marta. The sisters are taken to a "revival meeting" as the island's Pentecostal Church. When they are overcome with emotion by the music and cry, they later learn that Aunt Alma and Aunt Marta believe they have accepted Jesus and are now redeemed. A few weeks later both girls are baptized and begin attending Sunday school. 

Eventually Stephie and Nellie are able to speak Swedish well enough to attend school. Stephie is disappointed to be placed back in the sixth grade which she completed a year ago in Austria. She is even more disappointed to be given used textbooks and workbooks. But Uncle Evert surprises her with a new wooden pencil case. School proves to be challenging for Stephie as she has to deal with being bullied by classmate Sylvia and her friends. However, Stephie excels and decides to try for the opportunity to attend the grammar school in Goteberg. That notion is quickly put to an end however by Aunt Marta who tells her they cannot possibly afford the tuition nor to board her in the city.

With the outbreak of war and the invasion of Norway and Denmark, Stephie begins to realize that her family's dream of obtaining visas to America and leaving Europe is now unlikely to happen. Her only hope is to have the relief committee consider sponsoring her parents. So desperate is Stephie that she attempts to walk across the ice to Goteberg. When this fails, Aunt Marta and Uncle Evert attempt to make a case for helping her parents without success.  As she struggles to deal with this reality, Stephie continues to move forward with her life, making new friends, and gradually capturing the heart of Aunt Marta too.

Discussion

A Faraway Island is the first book in a four book series by Swedish author, Annika Thor, about two Austrian-Jewish sisters who are sent to live in Sweden during the Second World War. The books were written in 1996 and have recently been translated from Swedish into English. The first two books have recently been published by Random House Yearling Books, with the final two slated to follow soon, although no date has been issued as to when.

Annika Thor was born into a Jewish family living in Goteborg, Sweden sixty years ago. Thor considers that had her paternal grandparents not immigrated from Belarus in the early 1900's, she would likely not have been born. After the Kristallnacht in November, 1938, the Jewish community in Sweden arranged for the transport of over five hundred Jewish children from Germany, Austria and Czechoslovakia to safety. Sadly, the parents of these children were never allowed to immigrate with them, and many never saw their children again in this life. The Jewish children generally ended up living in rural areas, very different from their middle class upbringing. The cultural shock, in addition to the stress of relocating alone, must have been enormously traumatic. As with many Jewish children who were placed with families of other faiths, often their cultural and religious heritage was not respected. Thor based her books on "interviews with about a dozen of the real refugees who shared their childhoods, their letters, and their diaries, as well as on the research of Ingrid Lomfors, a Jewish historian in Sweden who explored the destinies of the five hundred refugee children."

Told through the narrative of twelve-year-old Stephie Steiner, Thor effectively portrays the cultural shock that many Jewish children would have experienced. Stephie's family were well off Jewish Austrians living in Vienna. At this time, Vienna was the cultural capital of Europe with its music, literature and fine arts. Stephie's father was a doctor,her mother an opera singer when she was younger. Stephie's parents were well off and took part in the vibrant culture that existed at this time in the city.  In Vienna they had a large apartment with a cook, a housemaid and a cleaning lady. Stephie's family attended concerts and movies, and took vacations. When Britta asks Stephie if her family are rich, this brings back memories of her life in Vienna. "She remembers the large apartment, the beautiful furniture, the soft rugs. She remembers her mother's elegant clothes, her fur coats and hats. And Papa's study with floor-to-ceiling bookshelves, filled with leather-bound volumes". The photograph of her parents show that her mother was well dressed, "Her permed hair, her lipsticked lips, the elegant stole around her neck."  

Stephie finds herself in an isolated house, at the end of the island and feels like it is at the "end of the world." Life is sparse and plain. Stephie notes that her bedroom at Aunt Marta's has no books and no art. Her own mother looks so different from "the women on the island with their tightly twisted buns, their plain faces and cotton dresses." She speaks German and cannot understand Swedish, although she learns the new language quite quickly. Everything from the landscape, to the climate, to the food and even to the school are very different from life in Vienna. 

As was very common during this era, the religious beliefs of Jewish refugee children was not often respected. Those who were placed with Christian families were often coerced into practicing the Christian faith. In some cases, learning to recite Christian prayers or being baptized was done to protect Jewish children from being identified by the Nazis. However, in Stephie and Nellie's situation that immediate danger is not present. When Stephie arrives at Aunt Marta's home she immediately notices the picture of Jesus in her bedroom. Soon after she and Nellie are baptized, enrolled in Sunday school. They do not resist as they are young children, totally dependent on the adults who are caring for them. Their foster parents seem oblivious to the fact that they might believe differently. Stephie doesn't tell her mother about being baptized because she is worried this will upset her. It is a troubling secret that she believes she will have to keep the rest of her life - a burden no child should have to carry. Although Stephie feels some confusion about Christian beliefs, the author doesn't really explore this aspect of life for the two girls.

The Jewish experience during this early part of the war is told through flashbacks of Stephie remembering events in Austria prior to her and Nellie leaving. For example Stephie remembers how they were not able to go to the beach in Vienna as this was forbidden to Jews. She also remembers returning from the playground with Nellie and seeing the elderly furrier and his wife on their knees scrubbing the sidewalk as people mocked and laughed at them. And when she struggles to tell Aunt Marta about what happened with the summer guests' dog Putte, she reveals how the Nazi soldier shot her beloved dog Mimi in front of her.

Although the novel focuses on the journey of Stephie and Nellie, there is also a second journey that involves Aunt Marta. She is a crusty, severe woman described as "...a woman with a thin, stern-looking face. Her salt-and-pepper hair is twistedinto a tight bun at the nape of her neck." She is critical of most everything Stephie does. It is revealed later in the novel that Marta Jansson lost her daughter, Anna-Lisa and was never the same. This loss seems to have locked her heart and her emotions deep inside her. However when Aunt Marta becomes aware of just want Stephie and Nellie have endured, she stands up for Stephie after an altercation between Stephie and the shopkeeper's son. She defends Stephie, calling her "my little girl". This term of endearment goes a long way to healing the hurt and loss that Stephie has been experiencing.

Despite the setting in rural Sweden and a different era with the onset of World War II, A Faraway Island is in many ways similar to the novel, Anne of Green Gables written by Lucy Maud Montgomery. The movie adaptations by Kevin Sullivan in 1985 were extremely popular through the late 1980's and well into the 1990's. There are similar characters and events: stiff and no-nonsense Auntie Marta is similar to the crusty Marilla Cuthbert, quiet, unassuming Uncle Evert is like Matthew Cuthbert able to connect with the young girl they've taken in, Sylvia is like the irritating bully Josie Pye, while Stephie's teacher,  Miss Bergstrom is similar to the wonderfully uplifting Miss Muriel Stacy. At one point in the novel, Uncle Evertt, in a moment reminiscent of Matthew Cuthbert, tells Auntie Marta, "She's a fine girl. I'm glad we took her in." As with Anne Shirley whose attempt to dye her hair leaves her with short hair, Stephie also ends up with short hair after attempting to trim the burned hair from her braid.When Stephie is told she cannot go on to grammar school in the city of Goteberg, an unexpected benefactor, their summer guests - a doctor and his wife, arrange for Stephie to board at their home in the city. 

This short novel is well written and holds the reader's interest with the ongoing troubles and tribulations of the young protagonist who must adapt to her new life in Sweden. Stephie's plight is real and it's easy to feel a great deal of empathy for her, especially since we know the likely fate that awaits her parents in Austria. Annika Thor doesn't go into too much detail as to the Jewish experience in Austria, just enough to demonstrate the cruelty of the Nazi regime to younger readers. The author has set up the story for the next novel, with Stephie moving to Goteberg to continue her studies.

This book will be of interest to girls, aged 8 to 12 who enjoy historical fiction. 

Book Details:
A Faraway Island by Annika Thor
Random House Children's Books 2009 translated by Linda Schenck
247 pp.

Saturday, January 7, 2012

Legend by Marie Lu

Legend is a gripping dystopian thriller from beginning to end. Lu's debut novel is a brilliant start to what promises to be a well written, exciting trilogy.

What was once the City of Los Angeles is now the Republic, while the eastern portion of the continent is known as the Colonies. Much of the Republic is flooded and lies in ruin, with decaying high rises, impoverished people and frequent plagues. Run by an aging presidential leader, Elector Primo, the Republic is at war with the Colonies.

Daniel Altan Wing, who goes by the name of Day, is 15 years old and leads the life of a fugitive - that of the Republic's most wanted criminal. Day is wanted for numerous crimes including assault, arson, theft, and destruction of military property. He's highly intelligent and physically gifted. But Day apparently failed the Trial - a test taken when you are 10 years old and designed to determine your fate in life. If you pass the test depending upon your score you continue on to high school and university or college. If your score is low, you join the poor, working in the power plants or water turbines. If you fail, you are sent to the labs to be examined for genetic imperfections. You never see your family again.

Day failed his trial but he managed to escape the labs and has been on the run ever since. His mother believes he is dead. But Day is very much alive and when he sees his family identified as suffering from the plague, he breaks into a hospital hoping to steal plague cures. Things don't go as planned and Day ends up injured and confronting Captain Metias Iparis as he escapes. He wounds Iparis and disappears into the slum sector of Los Angeles.

In contrast to Day, June Iparis, is 15 year old prodigy of the Republic. She and her family are wealthy citizens, her parents having been medical researchers. After the death of her parents, June lives with her brother Metias, in an apartment in Los Angeles. June achieved a perfect Trial score and is about to graduate from Drake University, the most prestigious in the Republic. But when her brother, Metias is killed by outlaw Day, June asks and receives permission to hunt him down and capture him. June succeeds but not before she gets to know Day who not only saves her life but also is not as malicious as portrayed by the Republic.

In an attempt to understand why Day doesn't match what the Republic has portrayed him as and to discover if his claim that he did not kill Metias is true, June hacks into the Republic's databases and reviews her brother's diaries. She makes a shocking discovery that forces her to make choices she never ever would have considered.

Discussion

The characters of Day, June and Metias are well drawn and supported by a small cast of secondary characters equally well portrayed. Day is a likeable hero and underdog and it's easy to root for him. He challenges June to think more deeply about what she is being told by the Republic. Even when she betrays him, Day is still good to the core, refusing to hate her for what she's done. June, in contrast, although as intellectually and physically gifted as Day is, must grow emotionally and morally.

Although 2011 will definitely be remembered for its focus on dystopian fiction, Lu's effort is by far one of the best published that year. The story, told in the alternating points of view of June and Day and easily distinguished by the change in font and colour of text, is fast paced, with a strong plot line. It will be interesting to see where Lu takes the story from here, since this book could easily stand alone.

Book Details:
Legend by Marie Lu
New York: G.P Putnam's Sons (Penguin Group)
305 pp.

Wednesday, January 4, 2012

The Name of The Star by Maureen Johnson

The Name of the Star is a fantastic novel that combines a ghost story with history, mystery and suspense. 

Aurora (Rory) Deveaux, from Benouville, Louisiana, is a senior who has accompanied her parents to England. While her parents do a year's sabbatical teaching American law at the University of Bristol, Rory is attending Wexford, a sixth form college, in the East End of London. Upon her arrival in London, Rory finds the city abuzz with rumours of a Jack the Ripper copycat. She learns that someone has been imitating the infamous Ripper by murdering a young woman on the anniversary of the first Ripper murder and in the same location. Despite all the hype about the murder and its similarity to the first Ripper murder, Rory commences to settle in at Wexford, meeting her roommate Julianne Benton (Jazza) and a cute guy named Jerome. She finds herself coerced into joining the field hockey team by the "Call me Claudia" whom Rory is convinced spends her time "wrestling large woodland animals".

Life seems pretty good at Wexford but soon all of London including Wexford, is caught up in "Rippermania". After two murders are committed, all of London waits tensely for the third and fourth murders - the double event of September 30th, mimicking Jack the Ripper's murders. When the third murder occurs, Jerome, whom Rory likes, suggests she and Jazza sneak out of their dormitory and come over to watch things from the rooftop of Aldshot, the boy's residence. Rory and Jazza do this but when they return to their residence and are sneaking back inside, Rory sees an odd-looking bald man walking by. He stops to talk to her, saying good night but when Rory asks Jazza about the man, she discovers that strangely, Jazza did not see him, even though he was directly in front of her. The next morning the body of the fourth victim lies on the green in front of Wexford and it seems that the man Rory saw was possibly the Ripper copycat.

Soon a CCTV video surfaces on the internet of the actual murder of one of the victims. It shows the actual murder but the murderer isn't visible in the footage. After the murder on the Wexford campus, Jazza and Rory get a new roommate, Bhuvana Chodhari (Boo) who seems out of place. Rory soon discovers that Boo is not a student and when she follows her she sees Boo meeting Stephen, a policeman, and a woman from the 1940's who is actually a ghost. Boo and Stephen take her to meet Callum, a London transit worker - the third member of their group which is part of a top secret British police service that investigates ghosts and their activity.

Rory comes to the chilling realization that she is seeing people that others cannot see - ghosts of people. She learns that after her recent near death experience, she has developed this unique ability. She now realizes that the man she saw that night while sneaking back into her residence is the Ripper and that he is a ghost. Her knowledge of the killer and her ability to sight "Shades" as these ghosts are called has placed Rory in serious danger. But danger or not, Rory knows this new Ripper must be stopped.
From this point on, author Maureen Johnson weaves an intricate and fascinating story of this modern day Ripper revealing his history and the motive behind his killing spree. The story builds to a fast paced and exciting finale, but along the way we are treated to the historical details of the original Ripper murders.

Johnson takes some time to set the stage and develop the character of Rory, life in London and school life at Wexford but this is well worth the effort because she creates a realistic setting and a believable character the reader can identify with.

Although all the ends are nicely tidied up, The Name of The Star could easily have a sequel.

Book Details:
The Name of the Star by Maureen Johnson
New York: Putnam & Sons 2011
374 pp.