Showing posts with label demons. Show all posts
Showing posts with label demons. Show all posts

Sunday, February 9, 2014

VIII by Harriet Mary Castor


This is a dark re-imagining of the story of young Henry VIII, who comes to the throne of England at the age of seventeen. 

As a young man, Henry was considered virtuous, a devout Catholic, well educated and a skilled warrior. But as his reign progressed, Henry increasingly resorted to murder as a way to remove anyone who stood in his way. He is famously remembered for having six wives, two of whom he had beheaded. What happened to create such a tyrant? Author Harriet Castor offers a new imagining on a very old story.

VIII opens with six year old Henry (Hal) being awoken in the early dawn, roughly taken from his bed in Eltham and placed upon his mother's horse in the courtyard. Hal learns that he, along with his mother and her entourage are fleeing to the Tower of London, to safety from the attacking rebels, who are in league with the Pretender, Perkin Warbeck, the man who claims to be his mother's lost brother (Richard) and therefore king.

England has barely survived years of civil war between the two ruling houses of the Tudors. Known as the War of the Roses, a reference to the emblems of the houses of York and Lancaster which fought for the right to rule the country, this war has almost destroyed England. Hal's father, Henry Tudor, after years in exile in France, returned to England to fight. Henry emerged victorious, acceding to the throne and in an attempt to unite England, married Elizabeth of York, the daughter of Edward IV. King Henry VII and Elizabeth have had six children at the time the novel opens, but only Henry who is 6 years old, and his two older siblings, Margaret (Meg) and Arthur have survived.

In the Tower, Hal begins experiencing visions of a blonde haired boy in black velvet, first in a trunk containing his clothing, then in a cubby closet in a long abandoned room. While hidden in the closet he witnesses an encounter between his mother and a priest who brings her prophecies from the city. When Henry overhears the prophecies he decides that one of these prophecies, "York will be king and your glory will down the ages..." refers to him and indicates that he will someday be King of England as he is the true Duke of York. How this will be Hal cannot know, because his older brother Arthur is being groomed to be king of England.

Four years later, when Hal is ten, and Arthur is fifteen, King Henry VII attempts to negotiate a treaty between England and Spain. To secure this and further legitimize his rule he is determined to arrange a marriage between Arthur and Princess Catherine of Aragon, the daughter of  Spanish king, Ferdinand. A tournament and banquet is being held in Westminster Hall, which Hal desperately wishes to participate in. When he outshines Arthur, his father later tells him that he must never do this again and that his purpose is to stay out of Arthur's way and that Arthur will "be the first great king of the golden age of peace..." Henry tells his youngest son that he must be very careful, lest Arthur have him killed. Hal is the "spare", the son that doesn't matter.

Catherine and Arthur are married, but months later, Arthur succumbs to a fever, leaving Hal as the sole heir to the throne. However, if Hal thought this fact would turn his father's favour towards him, he could not be more wrong. Henry VII decides to have Hal marry Catherine, but a special dispensation from the pope will be required since her marriage to Hal's brother is considered to have made Catherine his sister. After the death of his mother, and once Hal has been summoned to court by his father, Hal and Catherine's betrothal is secured. Hal is thirteen years old.

Catherine and Hal are married when he becomes king at the age of seventeen. She is twenty-three. Their first child, a boy, lives a mere fifty-two days. A second baby, Mary survives but is not the boy heir, Henry so deeply desires. With the death, stillbirth or miscarriage of almost every pregnancy, Hal who is now twenty-six years of age, becomes increasingly distraught over the lack of a male heir. Until one day he notices the sister of one of his friends, the youthful, dark haired Anne Boleyn.

As Hal's attraction grows, and his fears about a male heir continue, Hal reaches an important conclusion. He concludes that his marriage is invalid and therefore not blessed by God and that he must put aside Catherine. He decides that he will have Wolsey petition the pope for an annulment so he can marry Anne. The future of his royal dynasty and the country depend upon his marrying Anne.

Discussion

In VIII, author Harriet Mary Castor has chosen to focus primarily on Henry VIII's early life, his early years as King of England, his happy marriage to Catherine and the three years he was married to Anne Boleyn. Subsequent wives and the remainder of his rule, including the death of Wolsey, the beheading of Anne and Cromwell are dealt with in less detail.

Castor has chosen to tell Henry's story from the perspective that his change from the loyal, kind, devoutly Catholic young king to a cruel, manipulative tyrant was due to disturbing apparitions that haunted him with increasing frequency. The apparition mirrors Henry in age, appearing as a young boy when he first sees him and as a older, decaying man when he is in his final years. The person he sees mirrors his own inner torment and Henry soon comes to realize that he looks just like him.

Although the development and portrayal of characters in this novel are well done, they are not necessarily historically accurate depending upon which sources one refers to regarding Henry VIII whom the author nicknames Hal in the novel. While Castor manages to capture the goodness, intelligence, spirituality and athleticism of young Henry, the focus is more on the presentation of Hal as a boy struggling with his inner demons - a tormented boy, convinced of his superiority and divinity, who believes he is destined to rule England. Even when Hal is in line for the throne, his father shows him little affection and continues to believe he is unfit for rule. But Henry is convinced he will not only be king, he will be a glorious king destined to rule over all of Europe.

Catherine is accurately portrayed as Hal's faithful, quiet wife, a devout Catholic with an inner strength that is demonstrated when Hal decides to abandon her. She stoically suffers the humiliation of being put aside, and of being deprived of visits by her only surviving child, Mary. When Hal comes to her to tell her what he plans to do, she tells him she has seen how he has been suffering lately. She is compassionate towards him, but also refuses to co-operate with him in a scheme she knows to be sinful.

Anne Boleyn is cleverly portrayed as the vain and mercenary young woman history records her as being, determined to be queen at any cost. Anne is correctly portrayed as the architect of Henry's break with Rome. Wolsey is the faithful churchman and statesman, who did Hal's bidding for years, horrified at his suggestion to annul his marriage and marry Anne.

If anything Harriet Castor's unique treatment of Henry VIII will lead young readers to further explore this British monarch and the time in which he lived. This is a fascinating novel of historical fiction that incorporates a touch of the paranormal. Castor has included the family tree of Henry VIII which is very useful for readers who may find themselves repeatedly referring to it. The engaging cover of VIII and the unique title will certainly lead readers to check out this novel.

For further investigation into the life of Henry VIII, watch the historical documentary, Henry VIII: Mind of a Tyrant which was narrated by TV presenter and historian, Dr. David Starkey. Starkey incorporates many primary documents into his presentation, focusing on Henry the king rather than on his wives. 

Book Details:
VIII by H.M Castor
New York: Simon & Schuster BFYR 2013
415 pp.

Wednesday, October 17, 2012

Such Wicked Intent by Kenneth Oppel

"I won't go back inside because it's such a wicked endeavor, and if you were smarter, you wouldn't go back either."
A prophetic statement by Elizabeth, which Victor Frankenstein should have taken to heart. Such Wicked Intent picks up where This Dark Endeavor left off; the books from the Dark Library are being burned by Victor's father, and the library is to be sealed up. As they watch them burn, Elizabeth reveals to Victor that she has decided to enter the religious life, now that Konrad is dead. Victor mocks Elizabeth for her decision, causing the two of them to quarrel. When he turns to leave the scene of the book burning, he makes an astonishing discovery of a red metal book that was not consumed by the fire. Inside this metal "book" he discovers the instructions for a "spirit board". Unable to resist, Victor follows the instructions which lead him to make a kind of Ouija board that uses a pendulum. Against the advice of Elizabeth, Victor uses the spirit board in the hopes of contacting his dead twin, Konrad. A message is received, which Victor is convinced has come from Konrad, although as Elizabeth points out, he can't really be sure who the message is from.

Victor and Elizabeth tell Henry Clerval what has happened. Convinced he has received a message from Konrad to raise him from the dead, Victor decides that he will not give up on black magic to attain what he wants - raising Konrad from the dead.
"I sighed. 'I've no idea, not yet. Here's all I know: that the world is uncontrollable. Chaos reigns. That anything and everything might be possible. I won't subscribe to any rational system again. Nothing will bind me.'
Henry realizes that he has seen the red metal book before -- in a portrait of Wilhelm Frankenstein in the chateau. The three of them study the portrait and from what they learn, they make an astonishing discovery of a secret room in the ceiling of the chateau's long abandoned chapel. There they find Wilhelm Frankenstein's notebook and an elixir that allows them to enter the spirit world for short periods of time.

Initially only Victor travels into the spirit world where he meets Konrad. But eventually Victor manages to entice Elizabeth and then Henry too. This spirit world is a sort of parallel world in which Victor and his friends can see through the layers of time in the Frankenstein chateau.

Around this time, workmen, who are sealing up the Dark Library and filling in the well in the library, discover that the well leads to a series of subterranean caverns underneath the Frankenstein Chateau. These caves contain many primitive paintings but also some kind of mysterious writing that no one can yet decipher.

When Henry, Victor and Elizabeth return to the spirit world, they investigate the caves and Victor with the help of some kind of supernatural force, learns what they need to do to raise Konrad - essentially build him a body. However, both Henry and Elizabeth sense that there is something very ancient and evil in the caves.

When they return to the real world, the trio set about creating a new physical body for Konrad, although how they would merge his spirit with this new body I can't imagine. As this creature grows, Victor begins to suspect that not all is as it seems. It has a hidden malevolent side, that Elizabeth refuses to recognize and Henry can't understand. Meanwhile, a visiting professor researching the paintings and caves beneath the chateau discovers an ancient burial mound that held a monstrous creature, who bears some physical similarities to the creature Victor is growing.

As Victor makes more visits to the spirit world, he also visits the caves beneath the chateau. He learns more about what was buried in the caves so long ago and begins to understand that this creature is using them to be reborn. Through the use of the occult and black magic they have opened the door to a great evil. Can Victor end what he started?

There's no doubt that Kenneth Oppel is a gifted author. His development of Victor Frankenstein as a young man increasingly obsessed with creating life is brilliant. Victor is a megalomaniac - a man hungry for power but not just any power. It is the power that is gained through knowledge and a desire to use that knowledge to control the physical world around him, including the very force of life. Even after the dark and terrifying events described in this novel, he still can't quite let go of his obsession and the ending hints at where his thoughts might lead him next!

The characterization of Victor is aided by a well conceived storyline which not only portrays the lengths a person might go to be godlike but also develops the idea that Victor Frankenstein's desires span generations. Wilhelm Frankenstein, Victors grandfather, lived in a chateau that had given up God and closed the chateau's chapel, replacing it with a library filled with books about dark magic.

Elizabeth is portrayed as a devout Catholic, yet she goes along with Victor's escapades - so I feel in this sense that she is a character that is not true to herself. No truly devout Catholic would dabble in the occult in this manner. Konrad was portrayed in the first novel as the kind twin, gentle and caring. This is what attracted Elizabeth to him. As a Catholic she would take great solace in the fact that at death, he would be in the hands of God. Apparently, her desire to see her true love and the possibility presented to her by Victor of creating a body for Konrad are too tempting for her to ignore.

Most of the characters we met in the first novel, Victor's brothers, his parents and even Henry, are not much further developed. This is plainly a novel that continues the characterization of Victor Frankenstein as a young scientist headed towards madness and ruin.

There is plenty of objectionable content for Catholic youth in this book; the use of Ouija-like objects, necromancy which is communication with the dead, and possession by demons, as well as Victor Frankenstein's blasphemous attitude towards God. I understand that all this is setting the stage for Shelley's Frankenstein, the madman scientist who creates a hideous monster from dead bodies. The book ably demonstrates the dangers of flirting with the occult, as Victor unleashes a horror that they barely survive, suggesting to young readers that there exist powers we cannot understand. Such Wicked Intent does offer an opportunity to discuss the occult and black magic, although I certainly have strong reservations about recommending this book to younger readers. I'm betting the final book in The Apprenticeship of Victor Frankenstein will be even more disturbing.

Such Wicked Intent has a good trailer that sets the stage for the novel:



Book Details:
Such Wicked Intent by Kenneth Oppel
Toronto: HarperCollins 2012
310 pp.