Friday, October 31, 2025
A Storm Unleashed by Carol Matas
Friday, March 25, 2022
Bluebird by Sharon Cameron
At first Inge believes this is the work of the Soviet Communists. She meets a man in faded striped clothing from the camp, whom she believes is a prisoner of the Communists. She asks him about her father but he thinks her father is one of the prisoners. As the former prisoner starts to take Inge to the man in charge, she notices that the soldiers are Russian. She begins to realize that the people in the camp were prisoners of the Nazis. When she asks about a man named von Emmerich, the former prisoner tells her about the doctor and how "He wanted to know what he could make you say make you do. How much you could endure. He made sure you were crazy, before you died." He tells her the prisoners were "lab rats", "unworthy of life" and that everyone running the camp has been arrested....except the doctor. Inge flees the camp, realizing that everything she's been told is a lie.
The key to finding her father might just be Dr. Schneider, a doctor at Columbia hospital who had been corresponding with her father over research. Eva believes she must find her father before Cruickshanks and the U.S. government do, or there will be no justice. And justice for herself and for twenty-seven people, whose names she has memorized is what matters most.
Bluebird is another excellent novel by Sharon Cameron: there's a storyline filled with twists, shady characters, mystery and a touch of romance. There have been so many novels written about World War II, but Cameron has found a new aspect to write about which should peak the interest of those readers looking for something a bit different.
Book Details:
Bluebird by Sharon Cameron
New York: Scholastic Press 2021
438 pp.
Wednesday, April 14, 2021
Kafka and the Doll by Larissa Theule
One day Franz Kafka and his friend Dora Diamant were walking through a park in the city of Berlin when they encountered a young girl crying. When Kafka questioned her as to why she was crying, she told him her doll, Soupsy was lost. Kafka told the girl, whose name was Irma, that Soupsy was not lost but simply travelling as dolls like to do. He also told her that Soupsy had written her a letter but that it was at home in the pocket of his coat. As a volunteer postman, Kafka explained that he would bring the letter to her tomorrow.
The next day Kafka brought Soupsy's letter to Irma. It revealed that Soupsy had impulsively jumped into the basket of a passing bicycle and was now on her way to hiking via a train! Kafka assures Irma that Soupsy will write again because "People on adventures like to tell about them."A second letter comes, followed by a third which reveals that Soupsy is in Paris, eating croissants!
Soupsy travels to many different places including England, Barcelona, Morocco, and Egypt. Although she does many exciting things in each of these countries, her letters get shorter.
Irma notices that Kafka has a cough like what her grandfather had. Then one day Kafka does not show up at the park. After several days, Dora arrives at the park with a letter from Soupsy. Dora explains to Irma, that Herr Kafka has a headache behind his eyes. Finally one day Kafka comes to the park. He is pale and Irma suspects this will be the last time. The letter from Soupsy states that she is going on an expedition to Antarctica. It will be her last letter as she will not be able to write from there. Soupsy tells Irma she was proud to be her doll.
Irma tells Herr Kafka that some day she wants to travel like Soupsy and experience the things she did. Kafka gives her a notebook and tells her to write about her adventures so that they remain. The two part ways, "...one to play and explore and one, finally to sleep."
Discussion
Larissa Theule has crafted an touching fictional account of an event that Dora Diamant, Kafka's lover related years after his death. The identity of the young girl was never discovered and the letters were lost, so only Dora's account survives. Theule has adapted the story to fit modern expectations. In her Author's Note at the back of the picture book, Theule writes, "Dora said Kafka struggled to know how to end the letter campaign and finally decided to have the doll get married and start a family of her own. Most likely the reflected the girl's understanding of the world and her place in it, for girls in the 1920s had few options for their futures apart from marriage. But times have changed, and I felt the ending should reflect the wide world of possible futures available to children (and dolls!) today, which is why I sent Soupsy on a scientific expedition to Antarctica."
Theule's Soupsy is likely nothing like that of Kafka because as Theule states, "...no one can write like Kafka." The letters written to a lonely girl, were Kafka's attempt to "heal a child's wounded heart". He would have understood her pain, given his own difficult upbringing under a domineering father. Accompanying her version of this story is the digitally created artwork of Rebecca Green.
You can read more about Franz Kafka at Franz Kafka Online.
Book Details:
Kafka and the Doll by Larissa Theule
New York: Penguin Random House LLC 2021
Thursday, September 24, 2020
DVD: A Hidden Life
The film opens with the voice of Franz Jagerstatter stating "I thought that we could build our nest high up in the trees, Fly away like birds to the mountains." This is followed by black and white archival footage of Hitler being welcomed by the masses, speaking at huge rallies with cheering crowds. Austria has become part of Hitler's Third Reich. Events will unfold that will change Franz's life forever.
Franz and his wife Fani are working in the fields of the farm high in the mountains near the village of St. Radegund, Austria, in 1939. Husband and wife are a team, working together scything, planting potatoes and raising their three beautiful daughters.
Fani reminisces about how she and Franz met, how her sister now lives with them, how life in their village is filled with hard work, good neighbours and is happy. But overhead the sound of an approaching airplane hints at the troubles to come.
In 1940 Franz finds himself at the Enns Military Base doing training. There he meets a fellow recruit, Waldland who is always happy. In a letter to her husband, Fani reveals that France has surrendered and that she's heard they are allowing the farmers to return home.
At the military base, Franz and the others watch propaganda movies about Germany's conquests of France and Russia. But while the other soldiers clap enthusiastically, Franz is deeply disturbed. He sees the destruction and the human cost and writes to his wife, "Oh my wife. What's happened to our country? To the land we love?"
Summer turns to winter and then to spring, and Franz finally returns home. Fani and the children are ecstatically happy. During the wheat harvest in the fall, one of the farmers tells Franz he has been called up. He thought there would be peace but the war simply goes on. To Franz's question, "Do you believe in what we are fighting for?" the farmer answers, "Not really." As Franz and the village miller Trakl watch their neighbours embrace Nazism, Trakl questions Franz, " Don't they know evil when they see it?..." Knowing Franz does not support the Nazis, he warns him to be careful.
In a conversation with his parish priest, Father Furthauer, a troubled Franz reveals that if he is called up he cannot serve. "We're killing innocent people, raiding other countries, preying on the weak. Now the priests call them heroes, even saints. The soldiers that do this. It might be that the other ones are the heroes. The ones who defend their homes against the invaders." Father asks Franz if he's considered the consequences of his actions, for his family. He tells Franz he would most likely be shot and his sacrifice would benefit no one. He does agree to speak to the bishop about Franz's situation.
Franz's internal conflict deepens and Fani notices a change in her once carefree husband. He is thoughtful and worried. When brown shirts show up to collect for the war effort, Franz refuses, telling them he has nothing to give. This leads to a visit from Kraus, the mayor of Radegund as to why he's not supporting his people and the war effort. Franz however, remains unmoved by the mayor's pleas.
Franz and Fani go to see Bishop Joseph Calasanz Fliesser. But the bishop is of no help to Franz. On the way home Franz tells Fani, "I think he was afraid I was a spy. They don't dare commit themselves or it could be their turn next." Eckinger, a neighbour explains to Franz that the bishop is going along, trying to appease the Nazis, in the hopes the regime will be more tolerant towards the church. Priests are being sent to concentration camps and church possessions are being banned.
The villagers begin to ostracize Franz and Fani. Franz's mother is upset with Fani, blaming her for changing her son. The mayor violently confronts Franz, telling him they must defend their country and that he is traitor to his people and his country. Despite this Fani supports Franz. She tells him their prayers will be answered, if they are faithful to God, he will be faithful to them.
Eventually their worst fears are confirmed: Franz is called up. The couple are devastated for they both know that if Franz follows his conscience, he will never return home. In March of 1943, Franz reports to Enns for military service. He refuses to take a pledge to Hitler and is promptly arrested and put in prison. So begins his short journey of hidden resistance and ultimately to martyrdom.
Discussion
Written and directed by Terrence Malick, A Hidden Life portrays the events leading to Franz Jagerstatter refusal to support the Nazi regime and war, which he considered a great evil. As a result, Franz was arrested, imprisoned and guillotined at 4pm on August 9, 1943 in prison.
A Hidden Life is a deeply moving film that asks viewers to consider the role of conscience in our everyday lives, to explore the concepts of just war, the lost virtue of moral courage, and the possibility of sacrificing everything for our most deeply held convictions. It does so by setting this moving human drama against the majestic backdrop of mountains, waterfalls, blooming meadows and fast-flowing rivers.
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| Franz and Franziska on their wedding day |
Franz Jagerstatter (played by actor August Diehl), whose Catholic faith blossomed after his marriage to Franziska Schwaninger (Valerie Pachner), a devout Catholic, came to believe that Nazism and Catholicism were completely irreconcilable. When he saw the goals of the Nazi war, to enslave other nations, to plunder their resources, wealth and culture, and their determination to murder an entire race of human beings, he knew he could not participate in any way. To do so was to cooperate with a great evil.
When he was called up for a third time in 1943, Franz reported to the military base at Enns, Austria but refused to complete his military service. According to the Reich Court Martial “that, due to his religious views, he refused to perform military
service with a weapon, that he would be acting against his religious
conscience were he to fight for the Nazi State…that he could not be both
a Nazi and a Catholic… that there were some things in which one must
obey God more than men; due to the commandment ‘Thou shalt love thy
neighbor as thyself’, he said he could not fight with a weapon. However,
he was willing to serve as a military paramedic.” Interestingly in Malik's film, his offering to serve as a paramedic is somewhat glossed over. In fact, in real life, his request to serve as a medic was denied.
In A Hidden Life, Franz is repeatedly told that his conscientious objection would serve no purpose and therefore was meaningless. He is called a traitor, that his actions are sinful. His lone resistance would be hidden - no one would ever know of it, it would not alter the course of the war, nor stop it. Time and again he was told he had an obligation to his country, his people and to his family.
Opposition surrounds him on all sides. His Catholic parish priest and even his Catholic bishop were of no help. Hoping for some guidance from his bishop, Franz is told that he "has a duty to the Fatherland, the church tells you so." and that he must obey those in authority over him. Franz asks the bishop, "If our leaders are not good...if they're evil. What does one do?" His bishop has no answer for him.
Before reporting for military service in 1943, Father Furthauer (played by Tobais Moretti) challenges Franz, "Does a man have the right to let himself be put to death for truth? Could it possibly please God?" He tells Franz that God wants us to be happy and not bring suffering on ourselves. In response to Father Furthauer's rationalizing, Franz astutely counters that we must stand up to evil.
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| Franz talking with Judge Lueben |
In prison, Franz's lawyer tries desperately and repeatedly to get his client to sign a paper. He doesn't understand Franz's defiance asking him, "How do you know what is good or bad?" At his military tribunal in July 1943, Judge Lueben meets with Franz privately. The Reich judge is deeply puzzled about Franz's objections and berates him, "Do you imagine that anything you do will change the course of this war? That anyone outside this court will ever hear of you? No one will be changed. The world will go on as before." And yet at the end of his time with Franz, one senses that maybe Lueben does understand, that he is condemning a good man.
Franz's intense spiritual conflict is set against the backdrop of the spectacular beauty of the Alps. Malik filmed these scenes in the Italian Alps while the scenes in the farmhouse were shot in the Jagerstatter home in Radegund. The cinematography is one of the most outstanding features of this film. Scenes of Franz and Fani working together, scything wheat, running their mill, milking cows, sowing crops, cutting wood, baking bread, playing with their young children, and spending time alone, portray a simple life of honest but hard work. Set against a backdrop of breathtakingly beautiful scenes of mountains, misty forest, rushing streams, and golden wheat fields, Malik captures the beauty of nature High in the Austrian Alps, in the tiny village of Radegund, one can feel the presence of God. These scenes of joyful family life and a loving marriage show and Fani's unwavering support sustain Franz.
As it turns out, all who told Franz that his sacrifice would be meaningless and forgotten in the mists of time were wrong. Today he is a saint, his life the subject of a sublime film that has touched millions. On his beatification, Diocesan Bishop Dr. Ludwig Schwarz and Bishop Dr. Manfred Scheuer (Postulator of the beatification procedure) made this statement:
“Franz Jägerstätter is a prophet with a global view and a penetrating
insight which very few of his contemporaries had at that time; he is a
shining example in his fidelity to the claims of his conscience, an
advocate of non-violence and peace, a voice of warning against
ideologies, a deep-believing person for whom God really was the core and
centre of life. His prophetic witness to Christian truth is based on a
clear, radical and far-sighted analysis of the barbarism of the inhuman
and godless system of Nazism, its racial delusions, its ideology of war
and deification of the state, as well as its declared program of
annihilating Christianity and the Church. His educated, mature
conscience led him to say a resolute ‘No’ to Nazism and he was executed
due to his consistent refusal to take up arms as a soldier in Hitler’s
war.”
Those who wish to read more about Franz Jagerstatter's life are referred to the Diocese of Linz website.
The movie takes its title from a George Eliot quote from her book, Middlemarch:
"The growing good of the world
is partly dependent on unhistoric acts; and that things are not so ill
with you and me as they might have been, is half owing to the number who
lived faithfully a hidden life..." Franz's life and his act of passive resistance were most definitely hidden and unhistoric. His life, lived faithfully and his refusal to participate in a evil war, have done good that none of us will fully know in this life.
A Hidden Life is a beautifully crafted film, with a cast who give outstanding performances. Malik challenges his audience to consider the life of a man who simply could not cooperate with evil. Ultimately his hidden resistance cost him his life. While the personal price was high, Franz Jagerstatter demonstrated that there was still some good in a very evil time.
Image credits:
Franz and Franzsika wedding photo: https://johnpwalshblog.com/2017/10/26/blessed-franz-jagerstatter-1907-1943-farmer-husband-and-father-conscientious-objector-and-martyr/
Franz with Judge Lueben: https://www.churchtimes.co.uk/articles/2020/17-january/books-arts/film/film-review-a-hidden-life-cert-12a
Tuesday, November 12, 2013
Auslander by Paul Dowswell
The novel opens with Piotr undergoing a terrifying physical exam in Warsaw where he is singled out because of his ideal Aryan features of blonde hair and blue eyes. In flashback, the reader learns that thirteen year old Piotr lived with his mother and father on their farm outside of Warsaw. For a time after the Germans invaded Poland, they believed they were safe, even though their farm was situated between the Russians and Germans. But when Russian and Germany begin to carve up Poland, his parents were killed and Piotr was driven from his home by German troops. Homeless and hungry, Piotr ends up in an orphanage in Warsaw.
Piotr is sent to the Lebensborn hostel in Landsberg to await adoption by a German family. Meanwhile, Doctor Fischer contacts Professor Franz Kaltenbach who lives in Berlin with his wife, Liese, and their three daughters, twenty year old Elsbeth, thirteen year old Traudl and eight year old Charlotte. He encourages the Kaltenbachs to take Piotr into their home to raise him as a German citizen despite Kaltenbach's reservations about Piotr's Polish ancestry. Kaltenbach's reluctance is based on his work for the Nazi party.
Kaltenbach works at the Kaiser Wilhelm Institute for Anthropology, Human Heredity and Eugenics in Dahlem-Dorft, Berlin where he has been nvolved in a number of tasks that dealt with eugenics and racial purity. He had to determine the racial purity of the children from the Ostarbeiters (Eastern workers from Poland) as well as confirm the authenticity of the Ancestral Passports of candidates for the SS. Kaltenbach achieved his post at the Institute after the ethnic cleansing of all Jewish academics.
When Piotr returns home to Berlin with the Kaltenbachs, he is renamed Peter and is expected to hold the same views as his foster family regarding Jews and Slavs as well as politically support the Nazis.Peter is uncertain as to what to believe because his parents were divided on supporting the Nazis. At first it seems that Peter and the Professor will have as good relationship as they share an interest in aircraft. Excited to finally have a safe place to live, Peter joins the Hitler-Jugend, attends school and even begins to see a girl in his neighbourhood, Anna Reiter. Peter even dreams of one day becoming a Luftwaffe pilot.
But Peter's comfort zone is challenged by the reality of life in Berlin when he sees Polish boys, the Ostarbeiters, being overworked and starved, when he finds he cannot accept the German's blind faith in Hitler and when the Nazis ban anything different from what the party deems acceptable. Torn between his disgust at what the Nazis are doing and his fear of working against, Peter must decide make a choice - one that could cost ultimately cost him his life.
Told from the third person omniscient point of view, Auslander provides a unique look a life in Berlin during the Second World War. Although most of the narration is from Peter's point of view, Dowswell also includes the perspectives of many other characters in the novel including Anna, Ula and Otto Reiter, Gerhart Segur and Franz Kaltenbach. It is precisely the use of different narrators that gives this novel its balanced approach. There are German characters who are "one hundred percenters" - those who completely believe in the Nazi propaganda such as Professor Kaltenbach and his wife. The Reiters represent those Germans who did not agree with the Nazi racial policies and who worked to mitigate the suffering of the Jews and those who were part of the resistance. Also portrayed are those such as Elsbeth who originally supported the Nazis but when the learned the truth of what they were doing, tried desperately to extricate themselves. And then of course there were many German citizens such as Segur who were terrorized by the Nazis into betraying neighbours and friends.
The fanaticism of the Nazis is well portrayed in the novel and Dowswell includes parts of speeches and texts used by the Nazis to foment hatred against Jews and other ethnic groups deemed undesirable and to promote war. Dowswell captures the time period brilliantly, showing how beautiful and sophisticated Berlin was in 1941 and yet how poisoned its people were with the rabid ideology of genetics and race. This was initially deceiving to someone like Peter who did not yet recognize the iron grip the Nazis had on life in Germany. As the tide in the war begins to turn, the rationalization of German citizens and their reluctance to doubt the Nazis is demonstrated. Even the bombing of Berlin doesn't seem to sway them.
One of the major themes in the novel is that of identity. Because Peter has lost his parents, he dearly wants to fit into German society. It is a classic search for identity but one which is even more poignant because of his circumstances. Peter is not allowed to be himself, nor to express his own views about what is happening. Instead, whether he agrees or not with Nazi policy, he must conform to the Nazi way of thinking or risk being sent to a work camp or perhaps worse. Gradually, as Peter's eyes are opened to what the Nazis are doing to ordinary people simply because they are different, Peter comes to understand the price of conformity both personally and for the country. Despite being very conflicted he begins to resist in subtle secret ways that lead to him becoming part of the resistance and risking everything.
This novel is well written and thrilling from beginning to end with a likable male protagonist - something not found in many historical fiction novels. The author based the character of Ula Reiter on two German women who heroically defied the Nazi regime in Berlin during the war. He also explains the origins of some of the ideas, speeches and events portrayed in the novel in a note at the back of the novel. This is historical fiction at it's very best - effectively providing readers with a sense of what life was like during this terrible conflict.
Highly recommended.
Book Details:
Auslander by Paul Dowswell
London: Bloomsbury 2009
295 pp.
Thursday, June 6, 2013
In My Enemy's House by Carol Matas
Marisa Gingrich is a 15 year old Jewish girl living in Zloczow, a city in Poland that had been initially occupied by the Russians for two years until they were driven out by the German push into Russia. Marisa, who is the oldest child, lives with her Mama and Papa and her younger siblings, Fanny, Sarah, Yehuda, and Moishe. Unlike her siblings who have dark hair and brown eyes, Marisa has blonde hair and blue eyes - features common to the Ayran ideal, which will help her survive in these deadly times.
Initially, it seems all the Germans want is to use the Jews for slave labour, for cleaning and working in the factories. However, the local Ukrainians have formed a police service and are beginning to round up Jews.
Prior to all this, Marisa was leading a normal life as a young teenager, going to school, and even developing a crush on her "cousin", Shmuel, who is the sixteen year old step-son of her Uncle Avraham. When she and Shmuel are seen holding hands, her father tells her that she mustn't do this. The next day when Marisa's Papa goes to speak with his brother, Avraham, about this situation, they are both taken by the Ukrainian police. Shmuel tells Marisa's family that he followed their fathers and saw them loaded onto a freight train. Marisa feels terribly guilty over her father being taken, because she knows he would not have been there that day, if she and Shmuel hadn't held hands, and also because her last words to her father were defiant. She directs her anger towards Shmuel, who tells her to recognize that it is the Nazi's who are at fault.
Meanwhile the Nazis begin separating the Jews from the Poles, whom they consider useless and stupid. Himmler closes all the schools, Jews are forced to wear a white armband with a blue star of David, and they begin conducting "actions" in which large numbers of Jews are arrested and removed from the city. Some Jews are simply taken outside their homes and shot in the streets. Marisa's family is saved again and again by the kind actions of their Polish neighbour, Mr. Kraszewski, who was in the Polish military. When the Russians attacked Zloczow, Marisa's family hid him. Now he has been returning the favour by hiding her family in his attic whenever the Nazis come rounding up Jews.
Because of her looks, Marisa is able to pass herself off as Polish and therefore, get into line with the Poles for food. As the food situation becomes more dire and the Germans decide to round up all the Jews and place them in a ghetto, Marisa's mother and Shmuel tell Marisa that someone from their families must survive and that she can use her looks to pass herself off as Polish and go to Germany to work. Once again Mr. Kraszewski steps in and offers Marisa the chance to use a friend's daughter's papers to get into Germany. The irony of her situation is not lost on Marisa; she must go to Germany to survive the Nazi mass murder of her people.
As the situation worsens and Marisa's indecision about what to do deepens, she struggles with thoughts of suicide and despair as well as struggling with her belief in God. Eventually Marisa goes to Lvov and then on to Berlin in the hopes that she will survive the war. Will she ever see her family again? Will she and Shmuel ever meet again in this life?
Carol Matas has crafted a well-written short novel that explores the meaning of forgiveness and faith when the world is succumbing to hate and chaos. When Fanny, Yehuda, Marisa and Shmuel are the only ones left, they struggle to decide what to do. Fanny announces that she hates God, but Marisa tells her that faith is important to fight evil.
The best and most interesting parts of this novel though revolve around Marisa's stay with a Berlin family whose father is a highly placed Nazi officer. Marisa manages to get hired on by Herr Reymann who owns a large farm and has three children ages ten, twelve, and fourteen. Unlike other German families, the Polish workers are invited to eat around the dinner table with the Reymann family, and when Marisa becomes seriously ill, Frau Reymann tends to her in a caring manner, genuinely concerned for Marisa's health. Yet the family plays a game called Jews Out and show Marisa a picture of their uncle doing his "important work" which shows German soldiers murdering naked Polish men, women and children in front of an open pit. Marisa struggles to understand what she is experiencing,
"I couldn't understand the world I lived in. It felt like a type of dream where nothing made sense. The children seemed so nice. Their parents, too. They were the kind of people who would probably never cheat or lie or steal. They were "good" people. And yet they could murder, with no problem. I had to conclude then that they saw Jews as not even human. They had to believe in that lie so deeply that murder was no long murder; torture and cruelty no long held the same meaning."Matas uses the Reymann children to demonstrate how an entire population of a country could be brainwashed to believe that one race is superior to all others. In a turnabout, Marisa creates a lie about how her family has Aryan blood resulting in Frau Reymann allowing her daughter, Carolyn, to take Marisa to some of the Nazi functions. At these functions she sees the Germans doing volunteer work mending clothes taken from murdered Jews and occupied countries to help those in Germany.
Both the Reynmann's and Marisa have to deal with falsehoods about each other. For example, the Reymann children are taught that all Jews have slimy voices, ugly gestures, huge hooked noses and small beady eyes all the while unknowingly having taken in a beautiful Jewish girl. And Marisa must come to terms with her understanding of all Nazi's being evil as she struggles to comprehend Frau Reymann's motherly touches even though she is a Nazi. In a dream her father tells her that she must find the presence of God even in her enemies, echoing Shmuel's admonition to keep love in her heart rather than hate.
In My Enemy's House is highly recommended for its thoughtful treatment of the Holocaust, incorporating the themes of the nature of evil, identity, forgiveness and redemption. As with many historical novels, maps of Poland and Germany would have been helpful to help young readers understand the geography of the story.
Book Details:
In My Enemy's House by Carol Tatas
Toronto: Scholastics Canada Ltd. 1999
158 pp.







