The Breadwinner by Deborah Ellis

Eleven-year-old Parvana is sitting with her father on a blanket in the Kabul marketplace. Her head and shoulders are completely covered by her chador. She is there to help her father walk from home to the market. Parvana lives in Kabul with her mother Fatana and her father, her older sister Nooria, and her younger siblings, five-year-old Maryam and two-year-old Ali. 

Her parents are well educated having attended university; her father attended university in England and both her parents speak English. They came from well respected families and earned good money. This meant that "...they had a big house with a courtyard, a couple of servants, a television set, a refrigerator, a car."  Her father had taught in a  high school while her mother had been a writer for a Kabul radio station. Parvana had been in the sixth grade while Nooria attended high school. All that changed with the coming of the Taliban.

Before the Taliban, Afghanistan had been invaded by the Persians, Greeks,, Arabs, Turks, British and then Soviet Russia. War had been ongoing for more than twenty years. Parvana was born the year the Soviets left Afghanistan. The Taliban now ruled the country except for the northern regions. In Kabul they forced girls out of the schools, her mother was forced to leave her job and all girls and women in Afghanistan had to stay home. They were not even allowed out to shop.

Parvana's family had lost their beautiful home and had moved several times, each time to a smaller place. Now they lived in one small room with the possessions they managed to save from the bombings. Her father had lost his lower leg when his school was bombed but he had sold his wooden leg. So now Parvana helps her father walk to the market each day where he tries to sell some of their remaining possessions or reads letters for a fee. Most Afghans cannot read or write. Parvana can speak Dari and understand some Pashtu and because she has received an education, like her father she can read the letters.

They make their way home, her father leaning on Parvana. They now live on the third floor of a bomb-damaged building. To reach their apartment, Parvana and her father must use the damaged stairs on the outside of the building. Upon arriving home Parvana is sent out to get water, a task that means five trips to the outside tap. The single room they all share contains a tall wooden cupboard and two toshaks. The beautiful Afghan carpets and all their furniture has been destroyed in the bombings of their previous homes. What survived from the bombings Parvana's mother kept in the cupboard. This includes a parcel of Hossain's clothing. He was Parvana's older brother who was killed by a land mine when he was fourteen. Nooria has told Parvana how he loved to carry her around and play with her.

After their family meal, her father in his good white shalwar kameez begins telling a story from history. He was a history teacher at the time his school was bombed. The story is set in 1880 when the British attempted to take over Afghanistan and a young Afghan girl urged her country's soldiers on to defeat the British. Suddenly their joyful family moment is broken when four Taliban burst into their home. Two soldiers seize Parvana's father and drag him out while the other two ransack the wooden cupboard. They leave but not before beating Parvana as she tries to distract them from discovering her father's books hidden in the secret compartment at the base of the cupboard.

The next day Parvana and her mother set out to walk to the prison to free her father. Along the way her mother stops frequently to show a photograph of her father. Photographs are illegal but people just shake their heads. At the prison, Parvana's mother is initially ignored by the Taliban but when they both begin shouting for him to be released, the Taliban beat Parvana's mother and tear up the photograph. 

Parvana and her mother arrive at home, their feet bloodied and raw from the long walk. Her mother collapses on the toshak and weeps herself to sleep. For four days Parvana's mother doesn't get up. The room begins to smell from Ali's unwashed diapers and they finally run out of food. Parvana is sent out by Nooria to buy food. She is able to buy nan at the first stand but when she reaches the vegetable stand, Parvana is attacked by a Talib. After he strikes her, Parvana runs in terror, clutching the nan bread and runs straight into Mrs. Weera. In response to Mrs. Weera's question as to why she's running, she tells her she's running from the Taliban.

Mrs. Weera and Parvana's mother had been in the Afghan Women's Union and she has been meaning to visit to get her help with the women's magazine. She and her granddaughter accompany Parvana home. There Mrs. Weera manages to get Parvana's mother up, washed and dressed. The next morning, Parvana is stunned to learn that they are asking her to pretend to be a boy so that she can go to the market. The plan is that Parvana will cut her hair, change her name to Kaseem and pretend to be their cousin from Jalalabad. And if anyone asks her family where Parvana has gone, they will tell them she is visiting her aunt in Kunduz. Mrs. Weera tells Parvana, "It has to be your decision...We can force you to cut off your hair, but you're still the one who has to go outside and act the part. We know this is a big thing we're asking, but I think you can do it..."

Parvana agrees and with her hair cut short and dressed in Hossain's clothing, she ventures out to the market to buy food for her family. This time she is not harassed and she becomes the "breadwinner" for her family. Mrs. Weera decides to move in with Parvana's family so she and Parvana's mother can work on the women's magazine. But for Parvana, dressing as a boy offers her not only freedom but the unexpected friendship of another "boy".

Discussion

The Breadwinner is the first novel in the series about an Afghan girl named Parvana living under Taliban rule in Afghanistan. The story is narrated by Parvana who is eleven-years-old. Under Soviet and then Taliban rule, her family has suffered significant loss. Her family, once flourishing and well off, has lost their home, most of the possessions, and their son and brother, Hossain. 

Afghanistan has had a complicated and violent history but especially so in the twentieth century. The country was invaded in 1979 by the Soviets who wished to install a communist, Soviet-backed government. The Afghanis fought this takeover with help from the United States and Pakistan. In 1989, the Soviets had had enough and left the country in a chaotic state that led to another civil war. In the early 1990s, a new Sunni Islamist movement called the Taliban began to develop in the religious schools or madarasas in Pakistan and southern Afghanistan. This movement spread throughout the southern provinces and in 1996, the Taliban captured the city of Kabul, killing the president of Afghanistan and establishing the Islamic Emirate of Afghanistan. 

In the Islamic state, the Taliban implemented Sharia Law under which women have almost no rights. The Taliban banned girls and women from attending school or studying, they are not allowed to work, they can only leave the house with a male chaperone and if they do so they must be fully covered with a burkha. They are not allowed to show any skin in public. Women cannot be involved in public speaking or politics. The ground floor windows of the home must be covered so that the women inside cannot be seen by passersby. Relatives who advocate for women or who help them break any of these rules are at risk of being punished by the Taliban. Women also cannot access health care provided by men. 

It is in this world that Parvana lives. Author Deborah Ellis effectively portrays to her young readers the devastating effect the civil war and the rise of the Taliban has had on Parvana's family. Although the term "Sharia Law" is not mentioned in the novel, this is what Parvana and her family have lived under for the last year and half.  Her mother, once a writer for a radio station in Kabul, cannot work and must stay home. Nooria and Parvana can no longer attend school. The family, once prosperous, has lost their home and most of their belongings. Their oldest son, Hossain died after stepping on a land mine, and Parvana's father has lost his lower leg during the bombing of the school where he taught. Civil war and the Taliban have impoverished them to the point that they must resort to selling their possessions in the Kabul market.

The Taliban also have a brutal punishment system for crimes based on a strict interpretation of Sharia law. These punishments can include flogging, amputations and executions that are often carried out in public spaces such as stadiums. Ellis portrays this in The Breadwinner when Parvana and her friend Shauzia slip into the stadium believing they are attending a soccer game. Instead they witness the gruesome amputation of  the hands of men accused being theives. The experience is traumatizing for the two girls.

Although no dates are given in the novel Parvana notes that they have lived under Taliban rule for the last year and a half and that her mother and Nooria have not been outside their home during that time. This likely places the novel in the early in the year of 1998. Near the end of the novel, Parvana and her father learn that Mazar-i-Sharif has been overtaken by the Taliban. This event happened in August of 1998.

Parvana and her friend Shauzia realistically portray the reality of life for girls during war and under Taliban rule. The two girls must worry about things that no child should have to worry about. But because they are girls living under Sharia Law, they have no voice and few choices. Parvana is in a better situation because her parents are well educated and they support girls being educated. Nevertheless, Parvana finds her situation stressful and she longs to just be a child. "Parvana was tired. She wanted to sit in a classroom and be bored by a geography lesson. She wanted to be with her friends and talk about homework and games and what to do on school holidays. She didn't want to know any more about death or blood or pain." Parvana sees the starving women in burquas begging and the hungry and sick. "And there was no end to it. This wasn't a summer vacation that would end and the life would get back to normal. This was normal, and Parvana was tired of it."

Shauzia's situaton is difficult too. Her father has died, her brother left for Iran and her mother is sick all the time. Shauzia, her mother and her two little sisters live with her father's parents who do not believe in girls being educated. She tells Parvana that everyone fights in the house. The situation is so difficult that Shauzia is planning to leave Afghanistan and hopes to travel to France. She hopes to leave by the spring when she will have saved enough money. However, Shauzia worries that she may have left it too late as her body is now beginning to change. Leaving her family means leaving them to starve as she is their only means of support. She tells Parvana, "I just have to get out of here. I know that makes me a bad person, but what else can I do? I'll die if I have to stay here!"  Later on Shauzia reveals to Parvana that her grandfather is looking for a husband for her because as a young girl she will "fetch a good bride price and they will have lots of money to live on." Such a view is extremely common in strict Islamic cultures. When Parvana asks how Shauzia's mother will eat, Shauzia's dilemma to save her mother or herself is revealed. Shauzia responds, "What can I do?" Shauzia asked, the question coming out as a wail. "If I stay here and get married, my life will be over. If I leave, maybe I'll have a chance. There must be some place in this world where I can live. Am I wrong to think like this?"

Parvana suggests that Shauzia should accompany Mrs. Weera and her granddaughter when they travel to Pakistan. However, Mrs. Weera suggests that Shauzia is deserting her family just because things are tough but does she really understand the situation Shauzia is in. Mrs. Weera was able to have an education and become a teacher. That future or most any other is no longer open to Shauzia if she stays in Afghanistan. Mrs. Weera seems to have forgotten that Shauzia is a child who has the right to be safe, to make some choices about her future and that includes the right to be educated. It is a dilemma that Parvana, at this time, cannot resolve.

The novel ends with Parvana and her father ready to begin a journey to Mazar which is now under the control of the Taliban, to find her mother, Nooria and Ali. This leads nicely into the second novel in the series, Parvana's Journey.

Book Details:

The Breadwiinner by Deborah Ellis

Toronto: Groundwood Books/House of Ansai Press     2021

176 pp.

Shooting Kabul by Naheed Hasnat Senzai

It is July 2001, and eleven-year-old Fadi Nurzai's family are fleeing their home country of Afghanistan. Fadi along with his father Habib,his mother Zafoona, his older sister Noor and younger sister Mariam are packed into a taxi hurtling across the dusty plain in the dark. Their driver is Professor Sahib, Habib's former  teacher at Kabul University. After a six hour ride from Kabul, they arrive in Jalalabad, a city in the eastern province of Nangarhar Province of Afghanistan. Here they will rendezvous with a truck to take them to across the Afghan border with Pakistan to Peshawar where Zafoona's cousin and her husband will meet them at the border.

Only a month earlier, Fadi's father had told them they were leaving Afghanistan. Zafoona needed better medical care for a cold that had turned into a serious illness. But also the Taliban had tried to recruit Fadi's father in what was a thinly veiled threat. Although he had put them off for the time being, it is inevitable that they will return.

Habib was born in Afghanistan but had travelled to Madison, Wisconsin where he earned a Ph.D in Agriculture. Afterwards he returned to his homeland inspired to help rebuild Afghanistan after the defeat of the Soviets by the Taliban.

When he and Zafoona had returned to their homeland along with their family, the Taliban asked Habib to rid the country of the poppy fields used for opium. Gradually Habib had been successful in this endeavour, getting farmers to grow food for the country. However, the Taliban's strict interpretation of Islam began creating problems as they began suppressing civil rights. Music, movies, books and photography were banned, women were forced to wear the burka, and schools for girls were closed. Fadi's father had hoped to obtain work at Kabul University in the agriculture department but it was closed because of the years of war. Instead, Habib opened a dry goods store in downtown Kabul to support his family.

Just past midnight an army truck shows up at the rendezvous point to take them to Pakistan. Habib, realizing this is their ride, orders Fadi to take Mariam, while Noor follows with their mother. As they move towards the truck, suddenly dozens of people emerge from hiding, running towards the truck. Fadi is gripping Mariam's hand tightly and tries to steer them towards his father in the back of the truck. In the chaos, with everyone scrambling to get on the truck, the Taliban arrive, creating even more panic. But as Fadi's father pulls him into the back of the truck, Mariam slips from his grip, trying to retrieve her pink Barbie, Gulmina which as fallen to the ground.

Panicked by the approach of the Taliban, the truck driver announces he is leaving. To Fadi's horror, the truck roars away, leaving six-year-old Mariam behind with many others and the Taliban in hot pursuit. Zafoona, already ill and exhausted is completely hysterical. Her pleas for the truck to return to retrieve Mariam are ignored while Habib who wants to jump out of the truck, is held down by the other men. Returning would mean capture by the Taliban and possible execution.

On the plane to London, Fadi berates himself, feeling responsible for losing Mariam. He thinks back to when they arrived in Peshawar. Once in Peshawar, Fadi's father went back over the border in an attempt to locate Mariam, but could find no trace of her. Zafoona's cousin, Nargis promised to contact them and let them know when she heard any news. Unable to delay any longer, Fadi's family had to go to the American consulate in Peshawar to pick up the papers "arranged with the help of Habib's old college advisor in the United States." Zafoona had wanted to remain in Peshawar but Habib told her that if they did not leave their asylum papers would expire and they would have been stateless - unable to return to Afghanistan but unable to remain in Pakistan.

When they arrive in San Francisco, Fadi and his family are met at the airport by Uncle Amin, who is married to Zafoona's younger sister Khala Nilufer. Once a doctor in Kabul's main hospital, Amin and Nilufer had left Afghanistan in 1998 along with his parents Abay and Dada, a month after Fadi's parents had arrived back in the country from the United States. Uncle Amin works two jobs as a lab technician to support his family but he generously offers them to stat with him at his home in Fremont. Fadi meets his cousin, Zalmay, who is his age. While eating lunch, the adults talk about little Mariam and how UN Refugee Agency has sent out a bulletin about Mariam and how there are many people looking out for her. However, Fadi's feelings of guilt overwhelm him and he hides inside the pantry.

In August of 2001, Fadi's father and his Uncle Amin have contacted many family and friends in both Pakistan and Afghanistan, all searching on both sides of the border for Mariam. Meanwhile Habib moves his family out of Uncle Amin's house into an apartment at the Paradise Apartment Complex.

Fadi begins the school year at Brookhaven Middle School where he is in Mr. Torres' 6B class. Almost immediately he draws the attention of two bullies in his class, Felix and Ike. Fadi does a good deed by returning a classmate's wallet and she introduces herself as Anh Hong. Meanwhile at home, Fadi's family learns that Mariam may have been taken in by a family with two boys who were trying to get to Peshawar. This information upsets Zafoona and she argues with Habib telling him they should not have left Peshawar.Zafoona wants to return to Peshawar to search for Mariam but that requires money the Hurzai family does not have.

When Fadi learns about the school photography club and an upcoming contest with the chance to win tickets to India, he believes he just might have found a way to go back and help find Mariam. With the encouragement of Anh and Noor's money for the club fee, Fadi is determined to win. Meanwhile he must deal with the class bullies and his own feelings of guilt. When the contest doesn't produce the results Fadi is hoping for, he all but gives up until a remarkable meeting changes everything.

Discussion

The events in Shooting Kabul bracket the 9/11 terrorist attacks in New York City and throughout the United States. The novel provides young readers with insight into the immigrant experience during this time. Fadi's parents who returned to their homeland of Afghanistan with the hope of helping to modernize their country are now refugees in the United States. But their relief at escaping from the Taliban is marred by the loss of Mariam who was accidentally left behind in Jalalabad.

Shooting Kabul focuses primarily on the struggles of eleven-year-old Fadi as he experiences tremendous guilt and shame for not being able to hang onto his little sister Mariam when they were trying to board truck to take them out of Kabul. He is so certain of his own guilt in the matter that he is shocked to discover that each member of his family is also struggling with guilt. Shortly after arriving in San Francisco, Zafoona confesses her feelings of guilt to her sister Nilufer,
" 'She's my baby. I'm her mother. It's all my fault,' cried Zafoona, and, she burst into ragged sobs...
'No you don't understand,' said Zafoona. 'If I wasn't so sick, I could have looked after her. But instead everyone was looking after me. Noor and Habib were so worried about getting me on board the truck that they lost track of Fadi and Mariam. It's my fault.'"

Despite hearing this, Fadi continues to believe Mariam's situation was his fault, and he withdraws, often withdrawing from his family. In their new apartment, Fadi overhears his sister Noor confessing her responsibility for the loss of Mariam to their father. Noor states that she was responsible for caring for Fadi and Mariam; "No, I'm the oldest. I should have taken care of them...It's my fault Mariam is lost!" Fadi is shocked to overhear this admission but he thinks, "Everyone things it's their fault she's gone. But it's my fault, not anyone else's. I'm the one who doesn't deserve to belong to this family. I'm the one who's torn it apart."

Fadi then hits on the idea that he will return to Peshawar to find his sister. However without money this will be difficult so he devises a plan to travel to Pakistan. Just how deeply Fadi feels the loss of his sister is demonstrated when he sneaks into the trunk of his father's taxi to hitch a ride to the airport. His plan is to board a flight to London and then to catch a plane to Peshawar. Fortunately for Fadi, when he is unable to get out of the trunk, disaster is averted when his father opens the trunk to place a passenger's luggage inside.

Fadi then becomes determined to win the grand prize of a trip to India, in a local photography contest. Although planning to enter the photography contest gives Fadi hope his pain and guilt surface in a destructive way when the family visits a Toys R Us store.
"From both sides of the aisle hundreds of Barbies stared down at him. Fadi closed his eyes. His body felt cold and his hand went numb...His eyelids flickered open. Cowgirl Barbie gave him an accusing glare. Artist Barbie stood next to her, holding a paintbrush, sharing a conspiratorial frown with Doctor Barbie....Assembled on the bottom row stood a platoon of Barbies from around the world. Native American, Korean, Spanish, Nigerian, and Austrian Barbie were whispering to one another...whispering about Gulmina." The sight of the Barbies triggers the image of Mariam "holding out Gulmina, asking him to put her into his backpack." Fadi becomes enraged and begins destroying the Barbie display. "He knocked off a line of dolls, and they crashed to the floor. He stomped on the slender rectangular boxes, his tennis shoes making crunching sounds. He fell to his knees and ripped of the lids and pulled out Diamond Princess Barbie. He shook her with all his might and started banging her and Soccer Barbie against the concrete floor. The store manager found him, huddled on a pile of crushed boxes and Barbies, sobbing." The scene is tragic and disturbing, portraying the trauma many refugees from war-torn areas  experience.

Although both Zafoona and Noor have told someone about their guilt over Mariam, Fadi has been unable to confide in anyone, carrying his burden alone. However, after losing the photography contest and any chance of traveling to India, he confides in Ms. Bethune, telling her what happened that night in Kabul. Fadi is shocked that she does not consider him responsible and she helps him look at what happened in a different way, encouraging him not to blame himself for something he had little control over. Fadi never does tell his family about his guilt because the situation is resolved before he has the opportunity to do so.

Throughout the novel Senzai does an good job of incorporating recent Afghan history into the story so that younger readers have the background information to understand the events that occur. Readers experience the 9/11 attacks from the perspective of the Afghanistan refugees through the characters of Habib, Zafoona, Uncle Amin and others. The author also portrays how the Afghani people themselves view Osama Bin Laden, in the scene after 9/11 in the grocery shop in Little Kabul, and how they believe the events of 9/11 will impact their country. By incorporating many details about the country itself young readers from the United States and Canada are able to learn a bit about  Afghanistan's a rich heritage and diverse ethnic groups.

Shooting Kabul is another fine novel from this author and is highly recommended. Senzai states in her Author's Note at the back that "I didn't want to write this book..." because it touched many sensitive and personal issues including Islam, Afghan history and politics. Senzai's father-in-law's experiences are mirrored in those of Habib making the novel a very personal story. But it is a story well worth reading because it provides young readers the opportunity to understand Afghan history and culture separate from the American perspective presented in the media and because it also portrays the challenges refugees experience in coming to a culture vastly different from their own.

map credit: https://www.cia.gov/static/6795428c1b9ef1df4e25cd6418c88f44/afghanistan-admin.jpg

Book Details:

Shooting Kabul by Naheed Hasnat Senzai
New York: A Paula Wiseman Book      2010
273 pp.

The Secret Sky. A Novel of Forbidden Love in Afghanistan by Atia Abawi

The Secret Sky is a story about forbidden love in an country where a family's honour is based on the sexual purity of its women. To break that code even in the most minor of ways,  is to bring unending shame upon the family who can only restore its honour through blood - the blood of the woman who caused the dishonour. The author, Atia Abawi was an unborn baby when she left Afghanistan as her parents and older sibling fled the Soviet occupation. Although her parents often spoke of returning to their beloved homeland, the rise of the Taliban and the subsequent war with America made such a return impossible. Atia however did travel to Afghanistan in 2008 where she lived for five years as a foreign correspondent. Abawi writes "In the more than four years I lived in Afghanistan, I experienced life in the most spectacular ways -- and death in the most horrific. I learned quickly that Afghanistan is a land of contradictions. It hold unimaginable beauty and inconceivable ugliness." Abawi states that she has tried to illustrate real-life experiences as accurately as possible in the hopes that her readers "will get a small glimpse into a beautiful and tragic world unseen by many." Her novel, although fiction, is influenced by real events and real people. Which makes it all the more tragic and touching.

The title of this tragic novel is a reference to a line from one of the great Persian poet, Jalal ad-Din Rumi's poems which Abawi features opposite her Introduction. This is love: To fly toward a secret sky, to cause a hundred veils to fall each moment. First to let go of life. Finally, to take a step without feet.

The novel is divided into three parts. Part One is narrated by Fatima who lives with her father, Mohammad, her mother Mossuma, her three year old sister, Afifa and her younger brothers in a small village. Her older brother, Ali, was sent to work in Iran but was killed on the journey there. Fatima is on the cusp of womanhood, still a child but her body is changing into that of a young woman. As a result there are certain cultural restrictions on where she goes and who she is seen with. The girls her age are no longer allowed to leave their homes. Fatima remembers a time when all the children, both Pashtun and Hazara, played together.  Zohra tells Fatima that she's learned that Fatima's close childhood friend, Samiullah, who is a Pashtun, has returned home from the madrassa. No sooner than they have finished pulling water from the well, the two girls meet Samiullah on their way home. His piercing green eyes seem warm  and comforting to Fatima who cannot help but notice how tall and handsome he has grown in the past three years.

Fatima often goes to see her best friend, Zohra, whose grandmother is teaching her how to write and read. Her grandmother and her mother before her were educated in a time when Afghanistan was becoming a modern state. The following morning on her way to Zohra's home, Fatima encounters Samiullah in the woods. Although she knows she shouldn't be alone with him, Fatima agrees to meet him the next day. At Zohra's the two girls talk about marriage and Fatima mentions to her friend that she wants something more than marriage, telling her about the university in Kabul where women attend. Zohra tells a shocked Fatima that her parents are considering marrying her to a wealthy boy in another village.

The next day Fatima lies to her mother and meets Samiullah in the woods. They play hide and seek and sit near the stream talking. When Samiullah hears motorcycles the couple hide quietly behind a rock. At home Fatima overhears her madar begin to push her father to consider arranging a marriage for their eldest daughter, a prospect that upsets Fatima. Fatima and Samiullah meet again but the lies and the risk she is taking begin to worry Fatima. "...what worries me more is that it will ruin my family's name and honor to have their eldest daughter running around the village unsupervised. Not just unsupervised -- alone with a boy....I can't do this. It's far too risky." However, she does meet Samiullah and they spend some time together talking about Sami's time at the madrassa. Their meeting abruptly ends when their hear branches crackling.

Part Two is narrated by Rashid who is filled with anger and hate, yet who believes he is doing the work of God. Rashid is Samiullah's cousin - his father's younger sister Gul Bibi is Sami and his younger sister Nur's mother. Rashid's father along with the rest of his family was murdered and Gul Bibi took him into their family. Both Rashid and Sami were sent to the madrassa, like their father's before them to learn more about Islam and the Holy Quran. But while Samiullah hated it, Rashid seemed to have found his calling.

It is Rashid who has seen Samiullah and Fatima together in the woods, an act he considers sinful and blasphemous. He is determined to punish both but decides to wait. It is obvious that Rashid is poisoned by a hatred of his cousin. "...I see my uncle and my cousin the infidel lagging behind him. Sinner! He's so smug, trying to act sweet as he picks up the little kids, who are giggling like goats.....He lies to everyone and acts as though he is a man of virtue...."

Rashid has been sent by the instructors from the madrassa to help Mullah Latif and his men, who are considered thugs by the local villagers. They are known to extort food from the nearby villagers in return for protection. His time at the madrassa has taught him to look down on the people of his village who he considers as lacking in "any concept of good and bad, God and the devil." Rashid knows his uncle, Samiullah's father hates Mullah Latif, considering  him a thief.

The next morning Rashid accompanies Sami into town to open the family store. Many of the stores are now closed and Sami tells Rashid that this is because of the Taliban. This angers Rashid who begins to question Samiullah about Fatima's family suggesting that because they are Hazara they are cheats. Samiullah outright rejects Rashid's assertions saying they must not judge people based on the actions of their ancestors. Learning that Rashid is teaching the Quran to younger students. Sami encourages Rashid to teach the true Quran to the children. This enrages Rashid who openly accuses Samiullah of running "around with that peasant whore in the woods" - a reference to Fatima. Horrified at what Rashid has said and his hateful attitude towards Fatima and her family, Samiullah prays to God asking him to protect Fatima, guide him and protect Rashid from his own hatred.

Desperately in need of guidance, Samiullah decides to visit Mullah Sarwar in a nearby village to seek advice. Mullah Sarwar helped Sami make the decision to return home from the madrassa.  Sarwar tells Samiullah that God has bestowed a great gift, that of love, upon him but that marrying Fatima will mean overcoming many obstacles.

When Samiullah returns to his home he finds Fatima's father, Mohammad, Zohra's father, Karim, and Rashid with his father, Ismail. Rashid accuses him in front of the other men of "disrespecting" Mohammad's family, Mohammad's daughter and his own family. After Rashid leaves, Sami attempts unsuccessfully to explain to Karim and his father about his relationship with Fatima. Sami asks Mohammad for permission to marry his daughter, but both men refuse. Ismail tells Samiullah that he will not sanction such a marriage as Fatima is a farmer and as such beneath marrying him.

Part Three picks up Fatima's narrative but also now includes narratives by both Rashid and Samiullah as the crisis within their families reaches a climax. It begins with Fatima being sent home from Zohra's home by Karim who then angrily confronts Zohra asking her if she knew what was going on between Sami and Fatima.

After two days of being ignored, Fatima's father tells her that Samiullah has requested her in marriage. He tells Fatima that she cannot marry him and her mother tells her she is whore, slapping her and reminding Fatima that she is lucky they are not going to kill her. He announces that she will marry her friend Zorha's father, Karim and be his second wife. Fatima is horrified and distraught begging her father to reconsider Samiullah's proposal. The next day Fatima is attacked by her mother who drags her to the kitchen by her hair, kicks her in the stomach and then pours boiling water over her arms. She tells Fatima she is a whore who has disgraced their family and warns her that if she tells her father she will burn her face.

Fatima receives Sami's letter and does go to the well to get water, although she is in agony. Sami meets her and discovers her terrible injuries. He tells her that this is further proof that they must flee to Kabul because the people who support this sort of thing will not stop until they are both dead.
"There are people more dangerous than your mother who will want to punish us. Those are the ones I am afraid of. You are in the most danger."

That night Fatima comes to the decision that she must leave her home and her village. She knows her father will never look at her again, her mother will not forgive her and will likely turn all her siblings against her. Feeling responsible for what has happened she decides to meet Samiullah and together they flee to Mullah Sarwar's masjid. Can they possibly escape the terror that now hunts them, seeking their death to restore honour to their families and their village?

Discussion

The Secret Sky is not a novel for the faint at heart; there is murder, beatings and torture as well as references to the sexual abuse of young boys. It's not overly graphic but, if as Abawi states that she has based her novel on real people and real events, it makes the story all the more tragic. It is a brilliant effort that paints a realistic picture of a culture caught in the throes of a radical shift in thinking complicated by cultural practices around honour and old prejudices between two ethnic groups Hazara and Pashtun. The Hazara are an ethnic group in the central highland region of Hazarajat in Afghanistan. They have been persecuted by the Pashtun who feel they should be labourers and servants.

The Secret Sky outlines in a general way how the Taliban came to gradually overrun Afghanistan. Young people were sent into Pakistan to the madrassas to learn about Islam but in fact were indoctrinated into a radical form of the religion which encouraged people to fight against foreigners and to help create an Islamic state based on strict Islamic laws. According to such laws, men and women who are unrelated cannot be together. Such contact, even though not physical is considered to sully a woman's reputation. These young people returned to their villages bringing with them this radical form of Islam which was then gradually forced onto the local rural villages. It was compounded by cultural practices surrounded a distorted view of family honour which holds that women can be tainted by even the slightest contact with an unrelated male. Whereas before families may have handled these problems and perhaps married off the couple, the radical Islamic teaching now insisted that they were to be punished with death. Also many of these young men returning from the madrassa's in Pakistan set up a sort of Afghan mafia and went around demanding protection money from farmers, villagers and store keepers.

It is difficult to comprehend Mossuma's attitude towards her daughter when she finds out she has been seen with Samiullah because the concept of family honour is so alien to Western culture. Neither family questions either Fatima nor Samiullah as to what exactly happened in the woods and it is assumed that the couple met to have sex. Mossuma has a very mercenary view of her children, seeing them as a means to gain either wealth or status. She sent Ali to Iran to earn money for her against the wishes of her husband. She then tries to marry off Fatima when she hears of Zohra's impending engagement, in the hopes of making a match with a wealthy family, but Mohammad will have none of it. So when Mossuma learns of Fatima's "indiscretion" she knows she has lost another opportunity to gain status. Fatima recognizes this. "Her children aren't people to her. We are her accessories, like a new payron or bangle. She wanted me to marry the boy in the other village because it would have made her look good, not because she was looking out for my welfare. She sent Ali to Iran to make money for her, not so he could build a better life for himself."

Not only does Abawi have a powerful storyline, she creates strong, realistic characters. Fatima is a sweet innocent girl who is not ready yet to leave the carefree ways of childhood behind. She dislikes the changes in her body because they signal her transformation to womanhood and a different code of behaviour that will see her leave behind her best friend and playmate, Samiullah, forever. Despite knowing this code and the repercussions if she disobeys it, Fatima decides to take a risk for the sake of friendship. It is a risk that will cost her and her family dearly.

Samiullah is an honourable young man who unthinkingly puts Fatima at risk of being stoned. His love for her sees him take every risk to protect her and get her to safety.

Fatima's father, Mohammad is a kind, hard-working man who protects his children but still places importance in the distorted idea of honour to some degree. When Mossuma wants to marry off Fatima, Mohammad outright rejects her suggestion saying, " I said enough! No more! I'm not marrying my daughter off to strangers. How do we know how these people will treat her?...I can't trade her to someone in another village for a little bit of money; just because it is in our culture doesn't make it okay...She isn't a sack of wheat. I can't just sell her for a few Afghanis and breathe easily for the rest of my life..."  Mossuma's argument that the boy is from a wealthy Hazara family does nothing to appease Mohammad who tells her there are no innocent groups in Afghanistan, that many including himself have been involved in the killing of innocent women and children. Mohammad defends Fatima even when he learns of her "indiscretion", telling Mossuma he will not beat his daughter. However, bound by his culture, he does agree to marry her off as a second wife.

Mullah Sarwar and Rashid represent two different versions of Islam that are competing for the minds and hearts of people in Afghanistan and throughout the Middle East, Asia and Africa. Mullah Sarwar, is a gentle, intelligent and courageous mullah who is careful to not to judge and seeks to discern. He tells Sami and Fatima,  "Don't listen to what people may have told you growing up...Our culture and tradition is not our religion. As a Muslim woman, you have the right not to be forced into marriage...." He helps Sami and Fatima, first marrying them and then hiding them.

Rashid is the strongest character in the novel and this is reflected in his narratives which reflect his pride and anger. When Rashid returns to his village from the madrassa he looks down on the people as being ignorant in many ways. Filled with pride, he describes himself as "I was the best; I still am." He is insulted that his uncle's family, who took him in after the murder of his family, hasn't  slaughtered a goat upon his return.  After he sees Samiullah with Fatima he views himself as the person to ensure that he is punished. He refers to Sami repeatedly throughout the story in derogatory terms such as "my cousin the infidel", "He's a pathetic fool and a dropout. A failure!"  and a "little ant".  His bitterness and anger at the murder of his family continue to haunt him and it is Mullah Sarwar who recognizes this telling Rashid that his family has given him enough love to survive but that if he takes that love out of his heart, he may "fall into a dangerous insanity that you may not be able to come out of."  Rashid is driven by the need to show his family that he is the "good one" but Mullah Sarwar tells him that he will only succeed in creating yet another tragic story. He tells Rashid that his rage is not because of Sami and Fatima but something he is holding inside himself and that he must fix before he causes even more harm. Eventually, Rashid overwhelmed by the deaths he has already causes, comes to realize the truth of what the Mullah has told him and by the end of the novel he redeems himself by an act of sacrificial love.

Overall, The Secret Sky is a remarkable novel which touches on cultural expectations regarding women in Islamic countries, honour killings, forgiveness, sacrifice and love. The Secret Sky is a love story set amid the turbulent struggle against radical Islam in Afghanistan. It is tragic, unsettling but hopeful.


Book Details:
The Secret Sky by Atia Abawi
New York: Philomel Books      2014
290 pp.

Under The Persimmon Tree by Suzanne Fisher Staples

Under the Persimmon Tree tells the story of two families in war-torn Afghanistan beginning a month after the September 11th attack on the Twin Towers in New York. The story is narrated by two people; American born Elaine Perrin, now Nusrat Faiz, married to Dr. Faiz Ahmed Faiz and living in Peshwar, Pakistan, and Najmah a young girl fleeing her destroyed village in Northern Afghanistan.

The novel opens in Golestan Village, Northern Afghanistan, where Najmah lives with her mother who is expecting a baby very soon, her brother Nur, and her father, Baba-jan. The day begins like any other until a visit by the Taliban ends in catastrophe for Namjah's family. The Taliban take their food and kidnap her brother and her father to be soldiers. A few days later as Najmah and her mother struggle to survive, her baby brother, Habib, is born.

Namjah's Uncle Mohiuddin comes often to the family home, not to help, but to display his avarice openly for their father's land. Her uncle grows poppies for opium, a crop Najmah's father refuses to grow. He also supports the Taliban. Mohiuddin tells Najmah and her mother that they must leave the Kunduz Hills, as they will never be able to manage the farm, but they refuse. They know that Mohiuddin wants their land and it is their duty to protect it until the men return from fighting.

Najmah takes the goats to the mountains to graze and one night watches a wonderful meteor shower. She does not understand this celestial display and is terrified. When she decides to return to her home in the valley Najmah witnesses the destruction of her family. Her life is further shattered by this event. She is taken in by her neighbour's son, Akhtar, and his wife Khalida, who with their two sons plan to walk to the border town of Torkhum, to escape the Taliban and the coming war with America. When they arrive in Torkhum, Najmah decides she must travel on to Peshawar to see if she can locate her father and younger brother.

Meanwhile, in Peshawar, Nusrat visits her husband, Faiz's family. Nusrat met Faiz when she was attending Columbia University in New York. They both lived in the same old brownstone walk-up. Faiz was a physician working at St. Luke's-Roosevelt Hospital. A year after they were married, Faiz confessed to Nusrat that he was concerned about the terrible situation developing in his homeland, Afghanistan. He felt he needed to return there, but with an American wife, Faiz felt this was not possible. However, Nusrat was willing to go with him, and in 2001 they traveled to Peshawar, where Faiz's father had moved the family. Shortly afterwards, Nusrat opened her garden with its huge persimmon tree to the poor refugee children while Faiz went to Mazar-i-Sharif to work in a medical camp.

Nusrat has not had word from Faiz for weeks. To take her mind off of her husband's situation, Nusrat decides to organize a dinner party and afterwards invite her husband's family to watch a meteor shower in the backyard. But Asma refuses saying such shooting stars are an omen.

The story of Nusrat and Namjah intersect when Namjah manages to travel alone to Peshawar and is eventually taken to Nusrat's home. Now they both wait as the American forces gradually liberate more and more of Afghanistan, to learn the fate of their loved ones. While they wait, Nusrat teaches Namjah English and helps her to heal from her terrible ordeal, all the while coming to the realization of what has happened to her beloved Faiz.

Discussion  

Under The Persimmon Tree is the heartrending love story of Nusrat and Faiz, and the loss and suffering of Namjah.  Nusrat (formerly Elaine) and Faiz's love story is beautifully described in flashbacks narrated by Nusrat. The gentle, caring Faiz is a most wonderful antidote to a heart broken by the loss of a beloved sister. And Namjah's family life, although difficult in the best of times, is tied to the land, where "the sky is so close you can reach up and touch it with your hands, and to the beautiful mountains."

The author very effectively paints a portrait of a society destroyed by Taliban rule, of a people terrorized by religious fanaticism and cruelty. We see how the poor farmers of Afghanistan were often powerless to protect themselves and to avoid becoming part of the Taliban insurgency.

An interesting aspect of this book was Elaine's struggle to find meaning in her life after the death of her sister, Margaret. Sadly Elaine's Christian faith did not continue to develop as she grew into adulthood and therefore could not help her to understand and come to terms with the loss of Margaret. The void she felt spiritually was reflected in the modern, plastic home with its purple Koolaid and packaged food as compared with the texturally rich and colourful apartment that Faiz lives in. Faiz's beliefs are woven into his daily living, something Elaine's modern American family seemed to lack.

Elaine's belief that her Christian faith was unable to provide answers to the questions of why, led her, after meeting Faiz, to look towards Islam and to eventually convert. When she goes to see the Imam Inayatollah of a mosque in Manhattan Elaine tells him, "I am a mathematician...I need a religion that's compatible with science and mathematics. In Islam, is there a belief in an order to the universe." She is directed to consider the work of Muslim astronomers and mathematicians. At this time in her life, Elaine seems to feel that Christianity has no concept of an ordered universe - that things just happen and that it cannot explain the reason behind her sister Margaret's death. Of course this is not true, as she comes to understand much later on. Christianity, although long maligned as incompatible with science, has a rich history of both the preservation of scientific knowledge and the discovery of the nature of the world. There are more than enough Christian scientists and mathematicians whose work has demonstrated that God has designed a universe governed by laws that can be known and understood. Eventually, Elaine, now Nusrat comes to understand that the answers she was looking for could have been found in her faith, had she chosen to see them. Nusrat also begins to realize that her rejection of her parents faith and her Judeo-Christian heritage have hurt her parents greatly and that this is something she must address.

Under The Persimmon Tree tackles themes of identity, loss, love, coming of age, and war. It is beautifully written and provides another window into a unique and beautiful culture, far different from Western culture. There is a helpful map of Afghanistan and a glossary of Dari terms in the back.

Book Details:
Under The Persimmon Tree by Suzanne Fisher Staples
Farrar, Strauss and Giroux     2005
275 pp.

Letters To My Daughters. A Memoir by Fawzia Koofi

Letters To My Daughters is a searing memoir that is an intimate look into the recent troubled history of Afghanistan from the perspective of a young Afghani who is both a woman and the country's only elected female politician. It is intense, thought provoking and and at times heart-rending. Fawzia Koofi's memoir is written in two formats; each chapter is prefaced by a letter to her young daughters Shuhra and Shaharzad, followed by an account of her life and the cultural and political landscape of Afghanistan at that time.

Fawzia was the nineteenth of her father's twenty-three children. Her mother was her father's second wife - he had seven wives but had divorced two so that he could marry two other women. Although her father had many wives, Fawzia claims that it was her mother Bibi jan whom he loved the most and it was her mother who ran the household, who kept the keys to the storeroom and the safe and whom coordinated the cooking for the huge political dinners he hosted.

Her father had recently married his seventh wife, a fourteen-year-old girl who gave birth to a son just three months prior to Fawzia's birth.Her mother, who had already had borne seven children when Fawzia came along, was distraught at yet another younger wife in the home. Upset at having lost his favour, she prayed for a son but it was not to be. Instead Fawzia was born in a remote mountain shack and left outside to bake in the fierce mountain sun. Finally after a day, her family took her back in and Fawzia's mother vowed that no harm would ever come to her again.

Fawzia's father, Abdul Rahman was a member of the Afghan parliament in 1975, the year she was born. He represented the people of Badakhshan province in the northern Afghanistan. It is one of the poorest areas of the country. Her family lived in the Koofi Valley, for which they are named.

Fawzi describes the rise to power of the Taliban from the ashes of an Afghanistan left in chaos after the defeat of the Soviets by the Mujahideen. While the West rejoiced in the Soviet withdrawal, a brutal civil war raged in Afghanistan between the factions of the Mujahideen. The country slipped into chaos and terror around the capital, Kabul as different Mujahideen struggled for control. This period was a dangerous time for Fawzi's family - her father was murdered and they had to flee their home in Badakhshan and travel to Kabul.

Meanwhile in the south, young men who had studied at the madrassas in the border regions between Afghanistan and Pakistan began to arrive in the southern villages of Afghanistan bringing with them radical Islam, common to Arab countries. The southerners, tired of civil war and poverty, accepted these "angels of rescue"as the young men called themselves.

When a peace treaty was brokered between the Rabbani government and the Mujahideen in 1995, the Taliban influence was growing. Koofi relates the heart-breaking and catastrophic changes that occurred within Afghanistan in 1996 when the Rabbani government fled north and Taliban rule commenced. Instead of rescuing the Afghan people as they initially claimed, the Taliban began to systematically implement laws that drove the country back into the dark ages within months. Women were required to wear burkas and were confined to home, no longer being allowed to attend school. All women in any type of public life were forced out. Men had to wear beards and turbans and many cultural practices such as the traditional Afghan weddings and music were banned.

Koofi accurately refers to this and other actions as cultural vandalism - a very perceptive description of radical Islam's effect on any culture it has ever overrun. Almost overnight, public beatings, stoning and executions became the norm for the slightest violations of radical Islamic code. Televison was banned and radio broadcast nonstop Taliban propaganda. Libraries were destroyed as were the beautiful Buddha statues of Bamiyan.

At this time of her life, Fawzi was in medical school and had to give up her studies. It was not only impossible to attend school, but impossible to go to even to the market unless dressed in "the new uniform of Afghanistan", the blue shuttlecock burka. Women were not allowed to speak to men who were not blood relatives. To do so was to risk arrest, beatings and possibly worse.

Fawzi tells us what this meant to her people:"And now that the war was officially over, the world also began to move on. The Cold War had ended, and the mighty Soviet Empire was collapsing. The Afghan fight against the Russians was no longer of relevance to the West. It was no longer broadcast internationally on the nightly news. Our civil war was over, and as far as the world understood it the Taliban were now our government. We were yesterday's story.....But our tragedy was not over. In many way, it was just beginning. And for the next few years, the world forgot us. They were our bleakest years of need."

Discussion

In Letters to My Daughters, Fawzia chronicles in detail the cultural annihilation Afghan underwent during Taliban rule and how it affected the people. During Taliban rule she felt Afghanistan was slipping back into the darkness of time. Her family suffered greatly. Newly married to a kindly man Hamid, he was soon taken from her and beaten and tortured, eventually contracting tuberculosis. Eventually Fawzia and Hamid decided to flee northward to Badakhshan where Ahmad Shah Massoud and President Rabbani's forces were fighting the Taliban. 

Only when Fawzia escaped the Taliban-ruled south did she realize how much she had changed. "Life under the Taliban had changed me in ways I hadn't really understood until now....The Taliban had taken that confident girl and determined teenager and turned her into a diminutive, cold, scared and exhausted woman living beneath the cloak of invisibility that was her burka."

She realized that her attitude towards men had changed. Although interestingly, Fawzia writes that while her father did beat her mother, she felt he respected her. This is definitely a difficult thing for Western women to understand. In one letter to her daughters, she insists that "true Islam accords you political and social rights. It offers you dignity, the freedom to be educated, to pursue your dreams and to live your life." However, in every country where Islam is the state religion, women are not treated as full citizens, do not have the same access to education, health care and employment as do men.

There's no doubt radical Islam took it's toll on her too. "There was a huge silence inside me. Until now, I hadn't even noticed it. Little by little, it had grown with each prison visit, each woman I saw getting beaten on the streets and each public execution of a young woman who was just like me."

When the Taliban were overthrown by the American military and Afghanistan began to be rebuilt, Fawzia ran for election in 2005 and became the first woman elected to the new parliament despite the opposition of many of her fellow male politicians. She is the first female deputy speaker of the Afghan Parliament - no small feat for a country that had few basic rights for women only several years ago.

Despite cultural and religious differences, Fawzia Koofi is to be admired. She is a brave woman who has incurred great personal risk in order to represent her northern province. Fawzia Koofi has a deep love of her country and she has a strong desire to help remake Afghanistan into a place that is safe for her two young daughters, where they can live with dignity. 

Fawzia's memoir, Letters To My Daughters, is highly recommended for those who wish to learn about the remarkable people of Afghanistan and to understand what has befallen in this turbulent country over the past thirty years. There is no doubt Fawzia is a remarkable young leader in a country desperate for good leaders. She is proof that Afghanistan and other Islamic states need the participation of women in society. She is proof of what these young women have to offer to their countries!

Book Details:
Letters To My Daughters by Fawzia Koofi
Vancouver: Douglas & McIntyre 2011
275 pp.

The Dressmaker of Khair Khana by Gayle Tzemach Lemmon

Gayle Lemmon came to Afghanistan in the winter of 2005. She was on winter break during her second year of an MBA at Harvard Business School when she decided that she wanted to act on her desire to write about stories no one else was covering. The stories Lemmon thought she might want to tell were those of women working in war zones. Previously she had written a piece about women entrepreneurs in Rwanda - a country whose male population was completely decimated as a result of the genocide.

In 2005, Lemmon arrived in Kabul looking for the stories of women who had survived the numerous wars, invasions and cultural changes of Afghanistan. She was looking for women who had not just survived the Soviets, the Taliban and the post-Taliban eras but those who had successfully initiated entrepreneurial projects. "Most stories about war and its aftermath inevitably focus on men: the soldiers, the returning veterans, the statesmen. I wanted to know what war was like for those who had been left behind: the women who managed to keep going even as their world fell apart. War reshapes women's lives and often unexpectedly forces them - unprepared - into the role of breadwinner. Charged with their family's survival, they invent ways to provide for their children and communities."

Initially the author was looking for a story about Afghan women post 9/11 and what sort of businesses these women were developing. Eventually she learned of Kamila Sidiqui, a young entrepreneur who got her start as a dressmaker during the Taliban regime. Sidiqui, whose family is Tajik, Afghanistan's second largest ethnic group, lives in Khair Khana, a northern suburb of Kabul. Her father, Woja Abdul Sidiqi whose family hailed from Parwan in the north, was a senior military officer for the Afghan army.Together, he and his wife Ruhasva were the parents of eleven children, nine of them girls!

Kamila Sidiqi's story begins at the point where she has just received her teaching certificate from Sayed Jamaluddin Teacher Training Institute and is about to commence her studies at Kabul Pedagogical Institute, a coed university in the capital. It is 1996. Afghanistan is rocked by civil war now that the Soviets have left. The triumphant Mujahideen are now fighting amongst themselves for control of the capital, Kabul. And it is the Taliban who are winning control over more and more areas of the country.

Kamila's hope was to earn a bachelor's degree and eventually become a professor of Dari or literature. If the Taliban win and take over Kabul, Kamila realizes that this will not happen. She has heard rumours that when a city is overtaken by the Taliban, the women must leave school and cannot even leave their homes unless they are accompanied by a mahram. Taliban controlled cities require women to wear the full length burqua, known in Dari as a chadri. 

When the Taliban finally do overrun Kabul, all this comes to pass. The effect on the women of Kabul and even on Afghan society itself was disastrous. Girl's schools closed and women vanished from the streets. Forty percent of civil servants and more than half of the teachers in Kabul were women. They were now unemployed. For families headed by widows the consequences were particularly devastating. Many of these women were the sole support for their families, often having lost their husbands in the many years of war. These families had lost their principal breadwinner. The loss of so many workers also affected the general day to day running of the government.

Many families decide to leave Kabul for Pakistan or Iran, but the Sidiqi family decides to stay. Eventually Mr. Sidiqi decides to move to his hometown of Gulbahar in Parwan and his wife eventually follows. They decide that it is too dangerous for the remaining daughters to travel north so they will remain in Kabul. But it is clear that Kamila and her sisters need to find a way to support themselves. What they initially thought would be a short-lived edict restricting women in society, was now becoming ridiculously entrenched with further rules such as prohibitions against walking in the middle of the street, mixing with strangers, wearing chadri which showed the outline of arms or legs, or going out without a mahram (male relative). What Kamila needed was "a plan that would allow her to earn money while staying within the Taliban's rules...."

Kamila decided to start her own dressmaking venture. She had her older sister Malika teach her how to sew and how to use a sewing machine and then she and her sisters prepared samples of dresses to take to shop-keepers with the intent of securing orders. Her younger brother Hajeeb was her mahram and together the two of them were able to navigate through the Taliban rules to start a flourishing dressmaking business. Eventually, the business expanded to teaching other women how to sew and how to set up their own businesses.

Kamila was eventually asked by two Afghan women who worked for UN Habitat to join Community Forums in which women took part in jobs and social programs they designed and supervised. Profits earned were redirected back into the forums to fund more projects. The Taliban allowed these forums as long as only women participated but this was still a risk for Kamila. But Kamila's desire to help other women especially when the need was so great meant she could not refuse.

Since the fall of the Taliban in 2001, Kamila has focused on women and business, training women in microfinance, and in entrepreneurship. Eventually she launched her own company, Kaweyan which is responsible for training people how to turn their ideas into a business plan.

Discussion

The Dressmaker of Khair Khana tells the story of Kamila Sidiqi as she struggles to survive during the Taliban occupation of Afghanistan beginning in 1996. Sidiqi's story wouldn't be so exceptional if it weren't for the fact that she overcame enormous obstacles in the most imaginative and determined way. Her story is about one woman's desire to help not only herself but other Afghani women and how she succeeded. It is a story about the wonderful warmth and deep concern these women have for their neighbours and those around them. Whenever women in need came to the Sidiqui house, the family always responded by taking them in to work.

Lemmon doesn't mince words as to how the Taliban began to mold Afghanistan into a totalitarian theocracy, an Islamic state. "Kabulis watched helplessly as the Taliban began reshaping the cosmopolitan capital according to their utopian vision of seventh-century Islam. Almost immediately they instituted a brutal - and effective - system of law and order. Accused thieves had one hand and one foot cut off, and their severed limbs were hung from posts on street corners as a warning to others...Then they banned everything they regarded as a distraction from the duty of worship: music, long a part of Afghan culture, and movies, television, card playing, the game of chess, and even kite flying, the popular Friday afternoon pastime....

But of all the changes the Taliban brought, the most painful and demoralizing were the ones that would fundamentally transform the lives of Kamila, her sisters, and all the women in their city. The newly issued edicts commanded: Women will stay at home. Women are not permitted to work. Women must wear the chadri in public."

Those most affected are women and girls, whose lives have narrowed entirely to their home. In effect, Afghanistan had lost the talents and gifts of half its population - the Afghani women. In creating her business, Kamila Sidqui demonstrates the resilience, determination, and courage of Afghan women, who refuse to be enslaved by seventh century Islam. 

Lemmon has told Kamila Sidiqi's story because in her own words, "Brave young women complete heroic acts every day, with no one bearing witness. This was a chance to even the ledger, to share one small story that made the difference between starvation and survival for the families whose lives it changed."

The Dressmake of Khair Khana is a must-read for all Western women, a reminder that the rights so hard fought a century ago by our sisters, to vote, to be recognized as persons under the law, to own property, to be educated and to work, must never be taken for granted.

Book Details:
The Dressmaker of Khair Khana by Gayle Tzemach Lemmon
New York: Harper Collins Publishers 2011
256 pp.