
This wonderfully written historical novel tells the story of Catherine de' Medici, the last surviving member of the Medici family directly descended from Lorenzo
Il Magnifico Medici, who was Catherine's great-grandfather.
The opening chapter provides young readers with the background information about Catherine's life before the age of four, which is when Meyer picks up the story.
Caterina Maria Romula di Lorenzo de ' Medici was given the diminutive, "Duchessina" or Little Duchess since her christening. Caterina was born on April 13, 1519 and was baptized three days later in the Medici family church of San Lorenzo. Just weeks after her birth, her mother passed away from childbed fever and her father died after a lengthy illness.
She lived in the enormous Palazzo Medici with its large inner courtyard and marble statues. The main floor of the palace contained the large apartment of Cardinal Guilio de'Medici where he received visitors. Caterina spent her early childhood days with her nurse, Elisabetta whom she called Betta.
Caterina received frequent visits from her father's sister, her Aunt Clarissa who told her about her great-grandfather, Lorenzo de'Medici, known as Il Magnifico and whose son became Pope Leo. She also reveals that when Caterina as a baby was sick with a fever, she was taken to Pope Leo who had her stay in Rome in the care of his sister, Lucrezia Salviata. At this time Pope Leo gave Caterina the title of Duchess of Urbino resulting in her nickname, "la duchessina". After the death of Pope Leo, Caterina returned to Florence with her Cardinal Giulio. He would meet with Caterina and her nurse, Betta monthly to be inspected.
At the age of four Caterina discovered her older cousins, fourteen-year-old Ippolito and eleven-year-old Alessandro who lived in an apartment on the top floor. Ippolito was handsome and kindly, while Alessandro was cruel and loved to taunt Catherine. Her Aunt Clarissa revealed that Alessandro was the son of a cardinal and his mother was a Moorish slave, while Ippolito was the son of Pope Leo's younger brother, Guiliano. Both boys were bastards (that is illegitimate). Shortly after Caterina's fourth birthday, the successor to Pope Leo mysteriously died, possibly by poisoning and Cardinal Guilio raced to Rome. He became Pope Clement VII and placed Caterina in the care of Cardinal Passerini. Life for Caterina changed dramatically. She was given a grander apartment, beautiful gowns and more servants. Betta revealed that this was to make her a good marriage prospect.
Caterina's Aunt Clarissa reveals that with the death of both her parents, Caterina inherited not just the de'Medici fortune but also her mother, Madeleine de la Tour d'Auvergne's fortune as well. She was the cousin of the French king, Francois who had tried unsuccessfully to bring Caterina to France. At age five, Caterina was tutored by Fra Matteo. Caterina loved to visit her Aunt Clarissa and her husband Filippo and their four sons, Piero, Leone, Lorenzo, and Roberto, who were Caterina's real cousins. Cardinal Passerini used the visits as a reward but Caterina quickly learned to deceive "and admit to nothing." meets Michelangelo Buonarotti one day in that chapel. One day when she was almost six years old, Caterina was taunted by Alessandro who told her she looks like a frog. From this experience Caterina began to understand that she must be clever to get what she wanted.
When Catherine was almost eight years old, her world changed again. the Holy Roman Emperor, Charles who was in conflict with Pope Clement, ordered troops to sack Rome as a punishment for the pope's support of the French king, Francois I. The year that Caterina was born, 1519, Charles V, king of Spain became the Holy Roman Emperor. King Francois of France made ware against Charles V and was taken prisoner, releasing him in exchange for Francois's two sons. Because Pope Clement was an ally of Francois, the pope, the Medici family and all of Florence were at risk. The Holy Roman Emperor Charles ordered troops to sack Rome as a punishment for the pope's support of the French king. Soldiers pillaged, burned, murdered and raped throughout Rome, and Pope Clement VII was forced to flee to safety.
Ippolito and Alessandro are taken by Cardinal Passerini to his palazzo in Cortona. To escape a mob outside the Medici palazzo, Clarissa and Caterina, disguised in a boy's tunic attempted to flee to Poggio a Caiano, the Medici villa in the country. However, they are discovered Clarissa is told that the new governors of Florence want Caterina as a hostage. Caterina and Clarissa are forced to return to Florence where Catherine is placed in the Santa Lucia convent in the Via San Gallo for her own protection.
Life at Santa Lucia was difficult for Caterina. She wore a rough linen tunic, slept in a bed with a straw mattress and was tormented by one of the nuns, Suor Immacolata who tells Caterina that her father ruined her and many other servant girls and that he died of the "French disease". Between prayers in the chapel, Caterina was made to work in the laundry. She was able to befriend one young nun, Suor Caterina. Eventually Caterina was visited by an ambassador from France, representing King Francois, who revealed that although he could not free her, he could request that she be taken to a more suitable place. The ambassador revealed that Florence continued to be in turmoil and the Medici were hated.
Caterina was taken to Santa-Maria Annunziata delle Murate which she was familiar with and which the abbess, Suor Margherita was her godmother. There conditions were much better; a small room with a thick mattress and warm blankets, a brazier and a lay sister Maddelena who was her maid servant. Gradually Caterina recovered her health with the care of the nuns. At the convent Caterina is tutored in the virtues. She had already learned to read Latin from Fra Matteo before Cardinal Passerini had stopped the lessons. Caterina was sent to the scriptorium to learn from Suor Battista to be a copyist.Shortly after her ninth birthday, Caterina's Aunt Clarissa died in giving birth to a daughter, Caterina who also died.
In exchange for being made Holy Roman Emperor, King Charles of Spain allowed the Pope Clement to return to Rome. The previous year when Rome was sacked, Florence declared itself a republic. However, Pope Clement refused to recognize this and made Alessandro de'Medici ruler of Florence for life. To force the Signoria and the people of Florence to accept this, King Charles laid seige to the city. During the seige, Caterina became ill but recovered, many of the nuns succumbed to the plague and her beloved Suor Battista died.
Caterina was sent back to the Santa Lucia convent. To protect herself, she cut off her hair and dressed in the habit of a novice and was led to Santa Lucia by Silvestro Aldobrandini of the Signoria's Council of Ten, in the hopes of keeping her safe. Eventually Florence capitulated after sixteen thousand of its citizens died from plague and starvation and the surrounding farms and estates had been destroyed. When Caterina learned that the all the members of the Council of Ten were to be executed she wrote a letter to Pope Clement begging for clemency for Aldobrandini. Caterina was forced to move to Rome by Pope Clement but agreed to spare the life of Aldobrandini and exile him. She travelled to Rome accompanied by her maid, Betta and Cardinal Giovanni Salviati and was placed into the home of Lucrezia de'Medici Salviati, Caterina's great-aunt. Living in the palazzo was Lucrezia's elderly husband Jacopo Salviati, her son Cardinal Giovanni and his assistants, her widowed daughter Maria, and her younger daughter Francesca.
In Rome, Caterina quickly discovered that both Ippolito and Alessandro also live at the palazzo and that it was Pope Leo's intention that Ippolito rule over Florence. She was tutored in Latin, Greek, and astrology in preparation for her marriage some day to a nobleman. In the first months of 1531, Caterina and Ippolito spent time in the library getting to know one another. Ippolito revealed that Alessandro is the bastard son of Pope Clement VII. Sadly, Caterina and Ippolito's meetings were discovered by Alessandro. As a result of this discovery, Pope Clement made Ippolito a cardinal, destroying Caterina's hope that one day she could marry him.
Now separated forever from the man she loves, Caterina found herself being tutored by the French Ambassador, Monsieur Philippe. During this time, Caterina also learned that she was to be wed to Henri, Duke of Orleans, and the second son of King Francois of France. In the meantime she is to be under the guardianship of Alessandro in Florence. Caterina wondered, what her future holds, living in a strange country, far away from her beloved Florence? And will her husband be a kind and loving man?
Discussion
In The Duchessina, Carolyn Meyer has crafted another rich historical novel that captures the essence of life during the Italian Renaissance, along with all the political maneuvering between the Catholic church and kings and nobility of the period. Readers get a brief history of the Medici's but it is helpful to understand more about this famous family. Lorenzo Medici brought fame, prestige and power to the republic of Florence through his immense patronage of the arts. However, it was his grandfather, Cosimo who began this patronage, spending his vast fortune on both the arts and the government in Florence. Lorenzo continued the patronage. Some of the famous artists who were supported by the Medici included , Piero, Leonardo da Vinci, Sandro Botticelli, and Michelangelo Buonarotti.
The Medici's had long been involved in banking but by the 15th century (1400's) the Medici bank had became the largest bank in Europe. It is also likely the Medici's were the wealthiest family in Europe during this time and with this wealth came great political power. They were the de facto rulers of Florence often exerting power through the city's politicians and through arranged marriages with other important families. But the Medici banking business soon became entangled in the running of the government. Bank failures and other mismanagement resulted in the Medici decline in power in the later 1400's. The Medici family, once beloved by the people of Florence, were despised and hated now by the people who wanted a ruler other than a Medici. It is this time period that Catherine di Medici was born into.
Caterina was born on April 13, 1591 to Lorenzo de'Medici and a French noblewoman, Madeleine de la Tour d'Auvergne, Countess of Boulogne. With the death of her parents, King Francis 1 of France wanted Caterina raised in the French court. Pope Leo X, who was Lorenzo's uncle, refused as he intended for her to marry her cousin, Ippolito de'Medici. Caterina was cared for by her aunt, Clarice de'Medici. After the death of Pope Adrian VI and the election of Pope Clement VII in 1523, Caterina was taken to live at the Palazzo Medici Riccardi. The new pope's intent was to secure a politically advantageous marriage for Caterina.
In 1527 the people of Florence revolted against the rule of the Medici and Caterina was taken hostage, shunted from convent to convent. In order for Pope Clement to retake Florence for the Medici, he was forced to crown Charles of Austria as the Holy Roman Emperor. In exchange, Charles troops laid siege to Florence in 1529 leading to the city to surrender in 1530.
Caterina was taken to Rome to be under the patronage of Pope Clement VII who set about to find a suitable marriage for her. She was married to Henri, Duke of Orleans on October 28, 1533 at Eglise Ferreol les Augustin in Marseille. She was fourteen-years-old and came with a huge dowry paid for by the pope. However, when Pope Paul III was elected, he refused to continue paying the dowry and this affected Caterina's standing in the French court. The first ten years of their marriage saw no children but Caterina eventually had ten children.
The Duchessina tells Caterina's story from infancy through the siege of Florence, her marriage to Henri and his death in 1559. The focus in her adult years is on her relationship with her husband Henri who did not love her, and her struggles to produce an heir for the French crown.
Meyer incorporates many historical details about life in the 1500's into her story. Caterina describes how the season of Advent in the Catholic church was celebrated. "...Advent, the month-long penitential season just before Christmas when the altars were hung with violet silk and everyone abstained from eating meat, eggs, milk, and cheese on certain days."
The novel describes life in a convent in detail:
"The professed nuns ate first. When they'd finished, the young girls and a few elderly widows and few elderly widows who made their home here entered for the second sitting. The novices and lay sisters ate last. The polished wooden benches and tables smelled of beeswax, and beautiful paintings of the Holy Virgin and the Christ Child hung on the whitewashed walls." The duties of the nuns are also described. In the kitchen,
"... the sisters made sweets of honey and nuts and dried fruits, and there was a room where they filled pomander balls with dried rose petals and spices." There was a weaving room where looms were used to make
"...fine linen for altar cloths and damask tablecloths. Nuns stitched dainty sleeping shifts and undergarments of embroidered silk, trousseaux for wealthy girls about to be married. They spun fine gold thread for costly embroidery and worked delicate lace for vestments and altar hangings." There was also a scriptorium where
"...in a series of small cubicles on the upper floor, a dozen nuns sat at slanted desks and copied manuscripts, missals and graduals and prayer books intended for private devotion."
She also effectively portrays the role of wealthy women in society during this time through the character of Caterina. As with many wealthy girls and women in the Italian Renaissance, Caterina found her life very restricted. She had few choices, although her life was much better than women who were not of the nobility. As a child limited to the palazzo, she learned "...to be content within my small, restricted world: my sumptuous suite of rooms, with occasional escapes to the courtyard, the kitchen, the garden, and the chapel." Caterina notes that the beautiful paintings on the plaster walls of the chapel contain no girls or women, only "...priests, churchmen, shepherds, citizens, slaves."
Because she was so wealthy and related to Pope Clement, Caterina was used as a political pawn and had no choice in marriage. As with many wealthy women of this period, they were given in marriage to strengthen political and family ties. She could only hope that her future husband would care for her and that she would grow to love him.
Caterina de Medici was a strong, resilient woman, who suffered through the loss of all those close to her, who had little choice in the path her life was to take but ,who was determined to make the best of every situation. Meyer succeeds in creating a great deal of empathy for the young Caterina as she struggles to cope with situations beyond her control throughout her youth and a disappointing marriage. There is even a tragic loss of love in the novel that adds a sense of misfortune to her life. The author is able to capture Catherine's human qualities of intelligence, independence and strength of character, and make them very real to her readers. Catherine eventually became Queen of France, and after the death of Henri II in 1559, she was deeply involved in the political life of France and Europe. She was the mother of ten children, three of whom became monarchs.
Duchessina: A Novel of Catherine de Medici is an excellent fifth book in Carolyn Meyer's acclaimed Young Royals series. There is some sexual content in the novel and therefore this book is for older teens. There is a Medici family tree at the front of the novel, that is helpful to understanding the relationship between various people in the Medici family and a good Historical Notes at the conclusion of the novel.
Book Details:
Duchessina: A Novel of Catherine de' Medici by Carolyn Meyer
Toronto: Harcourt Books 2007
261pp.