Showing posts with label Frankenstein. Show all posts
Showing posts with label Frankenstein. Show all posts

Monday, July 2, 2018

Mary's Monster: Love, Madness,and How Mary Shelley Created FRANKENSTEIN by Lita Judge

Mary's Monster by Lita Judge explores the life of Mary Shelley, author of Frankenstein. Written in free verse accompanied by the author's impressive black and white illustrations, Judge tells the story of Mary Shelley's life and how she came to create one of the most famous novels of all time. There are nine parts to the book which spans the time period from 1801 to 1823. Judge employs two narrators; the Creature and Mary Shelley.

The book's opening Prologue is written in the voice of The Creature who tells the world that Mary Shelley created him as a way to expose the cruelty of the world.

In Part I Exile, fourteen-year-old Mary Wollstonecraft is on the deck of the Osnaburgh, heading for Scotland. Mary is feeling sad and isolated, remembering that her father did not see her off; only her sisters Fanny and Claire were there. She reminisces about her childhood.

Mary was born the night Herschel's comet blazed across the London sky. Mary's father  told her the story of the comet and its discovery by a woman, Caroline Herschel leading Mary to believe she could do anything in life. She was encouraged to read, to be independent and to use her imagination. But that changed in 1802 when her father married the Widow Clairmont, bringing into their family her daughter Claire Clairmont and a son named Charles.

In 1805 the family moved from their home in Somers Town to an abandoned shop in Holborn, a block from the gallows at Newgate Prison. Mary's stepmother hoped that her father would write and sell books from the shop and get them out of their financial troubles. But her father was more interested in political and social issues. At this time Mrs. Godwin convinced Mary's father to send her away. She lives with a widower name Baxter and his daughters.

Part II My Second Birth, covers the period from June 1812 to March 1814. Mary is living at Mr. Baxters home at Broughty Ferry with his daughters. She soon develops a close friendship with Isabella Baxter who has a passion for the French Revolution. The Baxter's library contains many books including those written by both Mary's father and mother. Reading her mother, Mary Wollstonecraft's novel, Maria, encourages Mary to take up her mother's ideals. Scotland becomes Mary's "Eyrie of Freedom".

Part III Return to Darkness March to April 1814. Mary returns to London to live with her family in the overwhelming stench and squalor of Holborn. Her stepsister Claire is now fifteen, her sister Fanny is thin and withdrawn. Fanny is Mary's half-sister: she has a different father, a married man who abandoned their mother.  A young poet named Percy Bysshe Shelley has been corresponding with Mary's father.

Part IV The Poet May-July 1814. Twenty-one-year-old Percy Shelley begins visiting the Godwins almost every day. Well-born and in line to inherit a fortune, Percy has been abandoned by his wife Harriet who is pregnant. Mary finds herself attracted to Percy from their first encounter. Soon Mary and Percy, along with Claire go for long walks, talking about galvanism, alchemy, gravity and astronomy. Fanny reminds Mary however, that Shelley is still married, that his wife is due to give birth to their second child soon, and that Shelley cannot be trusted - just as the man that got their mother pregnant abandoned her. However, Mary believes that people in love should be together. In late June, Mary and Percy make love beside her mother's grave after Percy reveals his tormented soul. Mary believes he simply needs to be loved.

Her decision to live with Shelley angers her father and stepmother. Shelley has promised Mary they will live in Switzerland like other free thinkers. Claire who passes letters between Mary and Shelley begs Mary to take her with them. Mary's father refuses to allow her to leave but on July 28, 1814, Mary and Shelley along with Claire race to Dover and then cross over to Calais, France. For Mary it is the beginning of life on her own terms, one that will result in much pain and loneliness but which will result in the creation of a new literary genre and one of the most famous works of literature of all time.

Discussion

Lita Judge, an awarding winning children's author and illustrator was inspired to write Mary's Monster after contracting a virus that led to her developing an serious autoimmune illness. During the next two years as she convalesced, Judge found herself rereading a favourite novel, Mary Shelley's "Frankenstein or A Modern Prometheus". Judge was fascinated by the fact that Shelley had written her novel when she was only eighteen years old. As she delved deeper in Shelley's life by reading her journals, Judge found herself and this led Judge to want to tell Mary's story and how she came to write Frankenstein.

The widely accepted account of how Mary Shelley came to write Frankenstein is that the germ of the story resulted from a dream Mary had after nights of reading ghost stories at the villa of Lord Byron. However, Judge's belief is that Mary Shelley's troubled life, her experiences of being mistreated by her father's second wife, of being sent away to Scotland, of being abandoned by her father when she became pregnant by her married lover Percy Bysshe Shelley and her many other hardships, were in fact the genesis of Frankenstein. In her Author's Note at the back, Judge writes,
"The popular myth is that Mary Shelley's Frankenstein was conceived spontaneously on a stormy night in answer to a dare  to write a ghost story. That evening did occur, but countless events in Mary's life before and after that evening played a much greater role in the horror novel's creation. My story is an attempt to trace the many origins of her genius. It's a testament to a resilient girl whose imagination, forged by isolation, persecution, and loss, created a new form of storytelling as a means of connecting with the very society that had socially exiled her."

In her novel Frankenstein, Mary Shelley explores the themes of pain, isolation and abandonment as  Dr. Frankenstein rejects the creature he created. Her novel was also a commentary on the use of science in the early 1800's. During this time, many new discoveries were being made in science about the natural world. Mankind was on the cusp of the scientific age and hoped to tame the world through the use of science, especially the disciplines of alchemy and galvanism. Mary saw man's ambition to create life and to dominate nature as potentially destructive to the world and to man himself.

Like her father William Godwin, and mother Mary Wollenstonecraft, Mary also rebelled against the social norms of her day. Mary Wollstonecraft was a firm believer in the rights of women, believing that they were equal to men. She sets out her beliefs in A Vindication of the Rights of Woman, written in 1792, probably her best known work. She had an affair with a married man, Gilbert Imlay, an American who ultimately abandoned her. Mary gave birth to a daughter, Fanny while in France where she was writing and studying the ongoing French Revolution. She attempted to restart her relationship with Imlay but he refused, resulting in two suicide attempts by Mary. Back in England Mary met William Godwin, an advocate for the abolition of marriage. Yet they married when Mary Wollstonecraft became pregnant. Mary died after giving birth to their daughter Mary Wollstonecraft Godwin. William Godwin was a radical who had anarchist tendencies. His publication of his wife's biography after her death which acknowledged her affair with Imlay, her illegitimate child and her two suicide attempts brought him much criticism because all of these behaviours were seen as scandalous and immoral. Having read her father's biography of her mother and been exposed to his ideas, Mary attempted to live her life in accordance with those ideas but found the reality was much different. Her father did not approve of her relationship with Percy Shelley and when she became pregnant outside of marriage, she was shunned.

Judge accomplishes her goal with a brilliant retelling of Mary Shelley's life in nine parts, the number nine being significant because it is the number of months of pregnancy and Mary's Frankenstein was written over a period of nine months, while she was pregnant with her second daughter Clara. She considered her novel her creative progeny. Through Mary's story, readers learn of the events in her life that ultimately influenced her writing Frankenstein. By writing her story in free verse, Judge pares Mary's life down to the important essentials while still retaining the pain, loneliness and sense of betrayal that Mary must have felt. Judge's ink, watercolour and pencil illustrations capture the dark moods of Percy Shelley, the emotional and physical struggles Mary endured, and the pain of the creature. The author story-boarded much of the book before beginning the writing process. Her timeline of creating the novel can be found on her website page, Mary's Monster Timeline.

Mary's Monster also includes an "Introduction" which introduces readers to both Mary Shelley and her novel Frankenstein. In her "Author's Note" at the back, Judge explains how she drew on a wealth of primary sources including Mary Shelley's journals, which events she excluded and provides an interesting exposition on parts of Mary's life. Her "What Became of Them" details the lives of family and several contemporaries of Mary Shelley. There is also a "What Were They Reading" section that lists what Mary and Percy were reading during their lives and a "Notes" that provides references for events in Mary's Monster.

Overall Mary's Monster is really quite an outstanding work and is a must read for fans of Frankenstein. Brilliantly conceived and masterfully executed.

Book Details:

Mary's Monster: Love, Madness, and How Mary Shelley Created FRANKENSTEIN by Lita Judge
New York: Roaring Brook Press  2018
312 pp.

Tuesday, December 1, 2015

A Cold Legacy by Megan Shepherd

A Cold Legacy continues the saga of Juliet Moreau, this time incorporating elements of Mary Shelley's classic novel,  Frankenstein.

On the run, after killing three members of the King's Club who intended to use her father's research for evil, Juliet seeks shelter at Elizabeth Von Stein's estate, Ballentyne Manor.

For three days Juliet, accompanied by her fiance Montgomery James, her friend Lucy Radcliffe, and her father's creations, Balthazar and Edward Prince, flees into the moors. Edward lingers between life and death after poisoning himself with arsenic. Despite Montgomery's administering of an antidote, Edward continues to suffer from and high fever and remain unconscious.

The four travelers are resting at an inn when they encounter a traveling carnival troupe. One man insists on reading Juliet's fortune and unnerves her by quoting her father's favourite saying. Later that night four British police officers show up at the inn questioning the staff. This forces them to quickly leave and head through the village of Quick and onto Ballentyne.

At Ballentyne they are met by Valentine who is second in change behind the housekeeper McKenna and whose strange hands Juliet immediately notices. Valentine is unwelcoming despite a letter of introduction from Elizabeth, stating that Juliet is her ward. However McKenna offers them rooms and Edward is placed in a separate room without a fire and with a lock on the door. Valentina tells Juliet that Ballentyne has three floors and two towers, one in the southern wing and one in the north. The north tower contains Elizabeth's observatory. The second floor contains the guest bedrooms and a library, while the servant's rooms are located on the third floor. The estate has electricity supplied by a windmill. Valentina teaches the young servant girls who live on the estate.

Despite their engagement, Juliet and Montgomery are struggling in their relationship. Montgomery worries about Juliet's obsession with her father's research and her apparent ease in killing the King's Club men. That night Juliet meets Hensley, a young boy who McKenna identifies as Elizabeth's son who wanders through the house's many hidden tunnels and passageways. Edward regains consciousness and tells Juliet and Lucy that he is unable to fight off the Beast taking over his personality. He tells them that the Beast discovered that he was created through a mistake by Juliet's father resulting in damage to the reptilian portion of his brain. The only way to cure him is to remove that part of his brain.

The next day Juliet and Lucy walk into Quick to order Juliet's wedding dress. In Quick Juliet discovers a newspaper article written by Lucy's father, John Radcliffe, who was the King's Club's financier. Radcliffe seems to be concerned about his daughter's disappearance. Juliet sends Lucy on her way home, wishing to walk back to Ballentyne alone. On the way she becomes trapped in a bog attempting to rescue a sheep but is saved by Elizabeth who is returning to Ballentyne.

Back at Ballentyne, Elizabeth reveals to Juliet that she intends to make Juliet her heir, giving her title to the estate.She also tells Juliet that Hensley who is her son, is not fit to manage the estate. Elizabeth tells Juliet, Lucy and Montgomery  that there is a one thousand pound reward for the capture of Juliet, who is wanted for murder. She assures Juliet that they are safe at the manor since its location is unknown to the local police and is not in her family name. Hoping Elizabeth can help Edward, Juliet reveals what he told her but Elizabeth tells Juliet that there is no way to help him.

On the festival of Twelfth Night, Juliet once again encounters the carnival troupe. The fortune teller reveals his name to be Jack Serra and he tells Juliet that her path.... At the festival Juliet has the opportunity to check out Valentine's unusual hands and realizes that they may have been transplanted by Elizabeth. Valentine reveals that Elizabeth has cured many people of "ailments" including missing limbs like Valentine's. Valentine also reveals the depth of her animosity towards Juliet for being named Elizabeth heir. The truth of Hensley is also exposed when he is impaled in the chest by a tree branch and survives.

Montgomery, realizing that Elizabeth is using Victor Frankenstein's science to regenerate dead people, attempts to convince Juliet to leave the manor.  She refuses but promises him she will try to be like her kindly mother and act for good. After tending to Hensley, Elizabeth tells them the truth about Hensley. It turns out Victor Frankenstein's work has been carefully preserved over the past generations through his journals which are known as the Original Journals. Elizabeth's family came to own the journals after the daughter of a Ballentyne lord gave birth to Victor Frankenstein's illegitimate child in 1786. The journals contain all the information necessary to "reanimate" or bring back to life a person. Hensley is revealed to be Thomas, the professor's son who died and who he brought back to life at Ballentyne. Although Hensley is now forty-one years old, he has the mind and body of a child but has enormous strength and cannot die.

Elizabeth believes the King's Club at least suspects that they have the knowledge of reanimation but Juliet believes that based on Radcliffe's letter to the newspaper this is no longer a concern. Montgomery wants the Frankenstein research destroyed, but Elizabeth insists that since she has operated on all the Ballentyne servants they are all loyal. She has taken the Oath of Perpetual Anatomy and she has named Juliet as her heir so as to pass on this knowledge. But this upsets Montgomery to whom Juliet has promised she would not practice Frankenstein's science. To convince Juliet, Elizabeth shows her how to bring back to life a dead rat.

Things begin to unravel however when Valentina runs away with the intention of telling the police where Juliet and her acquaintances are hiding. Montgomery, Juliet and Balthazar track Valentina and eventually catch up to her but she is killed when the hackney coach overturns. Before she dies they learn that she was to meet secretly with an unknown person near Inverness. Juliet and Montgomery discover the person Valentina was to meet is none other than Lucy's father, John Radcliffe.  Barely escaping back to Ballentyne, with Montgomery wounded Juliet discovers the manor in chaos as the Beast has taken over Edward.

Juliet must now save Ballentyne from both the Beast and John Radcliffe. Can she do so and still remain faithful to her promise to Montgomery not to continue Victor Frankenstein's dark science begun so many years ago?

Discussion

In some ways A Cold Legacy is a fitting finale to the the Madman's Daughter trilogy by Shepherd. The loose ends are tied up and the conflict within Juliet is finally resolved. In this novel, Shepherd explores themes about life and death.

Juliet struggles with whether or not she should continue to dabble in the strange scientific endeavours her family and those connected to her seem to be involved in. In this case, Elizabeth Von Stein, who has taken in Juliet and her friends, has recreated the methods of Victor Frankenstein. His discoveries have lead to the "reanimation" of dead people - that is he brings dead people back to life. The catch is that they are inhumanly strong and immortal. The major issue for Juliet is whether being her father's daughter means she is susceptible to his immoral use of science.  She believes her intense scientific curiosity and the desire for revenge against her father and the people seeking to misuse his discoveries mean she is more like him.

Juliet confesses to Montgomery that "Bringing the creatures to life, letting them slaughter those men...I enjoyed it...The justice of it.The power of it." When Lucy approaches Juliet about bringing back Edward Juliet struggles with her promise to Montgomery and her desire to fulfill what her father has stated is her destiny - to do something remarkable like "defeating death to a save a life."  She admits "Since I'd first learned about Frankenstein's science, since I'd first seen Hensley brought back to life. My father's spirit was in my veins, urging me to do this." She feels compelled by her father's legacy to continue down the path of doing exotic but morally questionable scientific research. Juliet believes that since bringing Edward back is her "heart's true desire" she should do so and when she accomplishes this, she feels she's done the right thing.

Gradually Juliet comes to the realization that she is not her father. Jack Serra/Ajax points out to her she is not cruel but he notes she has been trying to use the science to help people. "But you aren't like him...It wasn't your own fate you were most worried about, but that of your sick friend. Henri Moreau never once cared about anyone but himself. He turned to darkness for his own selfish reasons. You were drawn to the darkness, but that wasn't what made up your mind. It was the hope of saving a friend's life." This is why he has decided not to destroy her but to help her against Radcliffe.

Although Montgomery is horrified that she has brought back Edward, Juliet points out to him, "I didn't bring Edward back to serve some purpose. He's a person. A friend. I brought him back because he had been wronged, and I had the power to help him." 

Montgomery also tells Juliet that should he not survive the fight with Radcliffe he does not want her to bring him back. "I don't care if it works or not. " I want to know that this life is the only one that matters. When you can never die, do you ever really live?" He tells Juliet he wants only one life with her. This ultimately influences Juliet's decision regarding Lucy who is shot by her father. She realizes Lucy's life was a full one, lived on her own terms. "Lucy's life had been short, but she'd lived it well. She had chosen her own fate, bleak though it was."

This causes Juliet to reconsider reanimation in light of the consequences it has not only for science but for the individuals involved.  "I had the power to cure death, but what had new life brought to Hensley, or Frankenstein's monster, or Edward? Only more pain."

The end result is that this leads Juliet to understand how dangerous the knowledge might be in the wrong hands and she becomes determined not to allow John Radcliffe to learn about Victor Frankenstein's discoveries, even if it means they are lost forever and even if it means she must die to accomplish that task.

The science is sketchy at best in A Cold Legacy; the idea that you can simply plunk the eye of a cadaver into the eye socket of a living person and it works, or remove a piece of the brain from a dead person and place it into another dead person and it functions after running an electrical current through the body are at best amusing. But this is Gothic horror rebooted and its fun, campy and suspenseful. There are plenty of dead bodies despite a young woman

There are plenty of plot holes in A Cold Legacy. For example, just after Elizabeth reassures Juliet that no one knows the existence of the manor (which has electric lights that would likely be visible over the moors), the reader learns that all of the town of Quick knows about the manor but are faithful to its secret location. 

Overall, A Cold Legacy, with its lovely modern gothic cover is an enjoyable read and a fitting conclusion to Shepherd's trilogy.

Book Review:

A Cold Legacy by Megan Shepherd
New York: Balzer & Bray          2015
390 pp.

Monday, July 16, 2012

Mary Shelley's Frankenstein


I read Frankenstein many years ago and of course, loved the story which was originally published in 1818. Based on a dream Mary Wollstonecraft Shelly had when she was just 16, the novel tells the story of a scientist who discovers the secret of life and constructs a living human being out of body parts. The creature he creates however, is eight feet tall and hideous. Frankenstein is horrified by what he has created and leaves his laboratory and the monster unattended. The creature escapes and this sets in motion a series of tragic events that ultimately lead to Frankenstein tracking his monster with the hopes of destroying it. The entire Frankenstein narrative is set with another narrative, that of Captain Robert Walton, who while exploring the North Pole, encounters Frankenstein pursuing a huge man driving a dog sled. Frankenstein, old and weakened from his pursuit of the monster, relates to Walton the story of his creature and asks him to continue in his place, the pursuit. Shelley's novel combines both gothic and romance, and is arguably one of the first true science fiction novels. An interesting aspect about this novel is how the name Frankenstein, which was the name of the scientist, became known associated as the name of the monster. Perhaps a suggestion and warning that scientists in their desire for knowledge, might unleash upon the world, creations that will not benefit mankind.

This new reprint of the unabridged but revised third edition of the novel, is enhanced by the steampunk illustrations by Zdenko Basic and Manuel Sumberac. The illustrations add to the horror of Shelley's story by incorporating gears, mechanical devices and steam machines. Zdenko Basic is well known for his steampunk work having illustrated Steampunk: Poe. There's a wonderful review of this book over at wired.com by GeekDad.

 Steampunk: Mary Shelley's Frankenstein is the second book in the steampunk series. The gothic novel works well with the steampunk subgenre as does Edgar Allen Poe's works. There's a mad scientist, body parts, and a frightening monster, set in the Victorian age when some scientists believed in galvanism - the potential use of electricity to create life. Diehard fans of classic horror or steampunk may not be too enthusiastic, but if this book encourages the younger generation to pick it up and read the story, I am fine with that.


Zdenko Basic is also well know for having directed the short film Guliver, whose trailer is shown below.



If you enjoy steampunk you may want to check out this blog, Steampunk Revue.

Thursday, March 15, 2012

This Dark Endeavour by Kenneth Oppel

Well-known Canadian author, Kenneth Oppels' newest novel presents readers with a inventive imagining of the life of young Victor Frankenstein before he created his famous monster. This Dark Endeavour is a modern return to the Gothic thriller that tells the story of Victor, his twin brother Konrad, and their cousin Elizabeth Lavenza and friend Henry Clerval as they undertake a very dark endeavour - the search for the Elixir of Life.

Victor and Konrad, are the twin sons of William Frankenstein who is one of four magistrates in the city-republic of Geneva. The Frankensteins, whose family consists of Victor and Konrad, and their younger brothers, Ernest and William, live in a chateau outside the city.

One day Victor, Konrad, Elizabeth and Henry discover an abandoned library in the basement of the chateau. The creepy library which is filled with old volumes containing information about the occult, was built by their ancestor, Wilhelm Frankenstein when the chateau was constructed. Wilhelm was an alchemist who became involved in the occult and eventually abandoned the chateau and his family, never to be heard from again. The library was known as the Dark Library because it contained many books banned by the Catholic church. Victor and Konrad are told by their father that the books do not contain knowledge but a corruption of knowledge and that they must never return. Of course, this serves only to pique their interest, as we see later on. For Victor, it remains a fascination he cannot deny.

When Konrad becomes deathly ill, Victor decides that he must try to find a cure for his brother's illness. When he overhears a maid telling his mother that there are other ways to heal, Victor becomes convinced that he must return to the Dark Library to learn more. He also learns the name of an alchemist, Julius Polidori, still living in Geneva and he and Henry and Elizabeth set out to find him.

Reluctantly, Polidori agrees to help them in their dark endeavour. He translates the recipe for the Elixir of Life and sends them on a quest for the three ingredients necessary to make this potion. It is this quest and the relationship they have with Polidori that form the storyline for the book. It is a quest that pits the two brothers against one another and involves them in the forbidden practice of alchemy.

Discussion

In This Dark Endeavour, Kenneth Oppel has crafted characters that are realistic and interesting. Although Victor and Konrad are twins, Victor has the darker personality of the two. It's almost like a Jekyll and Hyde split. Konrad is a better student, and has a more pleasant nature, whereas Victor is more passionate, impulsive and has a cruel streak. This difference in their natures is effectively contrasted in the way that they relate to their cousin, Elizabeth, whom they both love. Their rivalry for the love of Elizabeth is one of the many dark themes of the novel. The characterization is effective enough that the reader is easily drawn to like Konrad and Elizabeth while feeling a bit of revulsion towards Victor, whose intensity is a stark reminder of the future he has!

There are plenty of religious themes to explore, especially relating to magic, and the proper use of knowledge.

The novel's unique storyline is enhanced by Oppel's smart, witty dialogue. This Dark Endeavour is the first in the Victor Frankenstein series, with the next installment, Such Wicked Intent due out in the summer of 2012. 

Book Details:
This Dark Endeavour by Kenneth Oppel
Toronto: Harper Collins 2011
297 pp.